Portrait of the Ladies Amabel and Mary Jemima Yorke

Cleveland Museum of Art

Portrait of the Ladies Amabel and Mary Jemima Yorke

Joshua ReynoldsLinkedCulture matchlcp-14c29b16a5a1

From the Cleveland Museum of Art record

Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses. Their father commissioned the painting to hang in the family’s city home in London’s St. James Square and it highlights their status as landowners. Joshua Reynolds painted this portrait after his return from Italy, where his studies inspired him to incorporate classical references. The famous ancient Roman Statue of a Girl with a Dove is echoed in Mary Jemima’s pose as she shields a dove from the family dog. Her family affectionately referred to Mary Jemima (at right) as "Mouse."

LinkedCulture assembled this text from several fields of Cleveland Museum of Art’s catalogue record, so it is not the museum’s own wording as published. See “How LinkedCulture maps this record” below.

Cleveland Museum of Art’s catalogue record

Medium
oil on canvas
Credit Line
Bequest of John L. Severance
Type of artwork
Painting
Department
European Painting and Sculpture

Also in Cleveland Museum of Art’s record. The museum’s own label for these fields has not been confirmed yet, so each is named by its field in the museum’s data.

creation_date
c. 1761

Taken from LinkedCulture’s stored copy of Cleveland Museum of Art’s record. A fresh capture of the museum’s own record has not been made for this object yet.

What the image shows

A woman holds a dove while a young girl plays with a small dog in a garden setting.

Generated by LinkedCulture from the photograph alone, without the museum’s catalogue text (Qwen/Qwen2.5-VL-7B-Instruct), and not yet reviewed by a person. It describes the picture, not the object’s history, and it is not part of the museum’s record.

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Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Provenance
c. 1761-1790: Philip Yorke, Viscount Royston, later Second Earl of Hardwicke [1720-1790], St. James Square, London, by descent to his daughter Amabel Yorke, later Hume-Campbell, 1st Countess de Grey | 1790-1833: Amabel Hume-Campbell, 1st Countess de Grey [1751-1833], by descent to her great niece Anne Florence de Grey | 1833-1880: Anne Florence de Grey, Baroness Lucas [died 1880], by descent to her son, Francis Thomas de Grey | 1880-1905: Francis Thomas de Grey, Seventh Earl Cowper, Seventh Baron Lucas and Tenth Baron Dingwall [1834-1905], by descent to his nephew Auberon Thomas Herbert | 1905-1916: Auberon Thomas Herbert, Eighth Baron Lucas and Eleventh Baron Dingwall [1876-1916], by descent to his sister Nan Ino Cooper | 1916-1922: Nan Ino Cooper, Ninth Baroness Lucas and Twelfth Baroness Dingwall [1880-1958], consigned to sale at Christie's London | 1922: (Christies’s, London, May 26, 1922, lot 78) | (Agnew, London) | (M. Knoedler & Co., New York) | John L. Severance, Cleveland, OH, by bequest to the Cleveland Museum of Art | 1942-: The Cleveland Museum of Art, Cleveland, OH
How LinkedCulture maps this record

To search objects from different museums together, LinkedCulture reads each museum’s record into a common set of fields. The values below are LinkedCulture’s, under LinkedCulture’s names. They are not Cleveland Museum of Art’s wording; the museum’s own record is shown above under its own labels.

Object ID
122349
Object Type
Painting
  • Cleveland Museum of Art field “Type of artwork” · copied as is
Creator
Joshua Reynolds
  • Cleveland Museum of Art field creators (museum’s label not yet confirmed) · derived by LinkedCulture from the museum field · Artist-role creator's description with life dates removed.
Culture
England, 18th century
  • Cleveland Museum of Art field “Culture” · copied as is
Medium
oil on canvas
  • Cleveland Museum of Art field “Medium” · copied as is · Cleveland's 'technique' field holds materials.
Department
European Painting and Sculpture
  • Cleveland Museum of Art field “Department” · copied as is
Tags
  • male
  • Cleveland Museum of Art field tags (museum’s label not yet confirmed) · combined from several museum fields
  • Cleveland Museum of Art field artists_tags (museum’s label not yet confirmed) · combined from several museum fields
Credit Line
Bequest of John L. Severance
  • Cleveland Museum of Art field “Credit Line” · copied as is
Provenance
c. 1761-1790: Philip Yorke, Viscount Royston, later Second Earl of Hardwicke [1720-1790], St. James Square, London, by descent to his daughter Amabel Yorke, later Hume-Campbell, 1st Countess de Grey | 1790-1833: Amabel Hume-Campbell, 1st Countess de Grey [1751-1833], by descent to her great niece Anne Florence de Grey | 1833-1880: Anne Florence de Grey, Baroness Lucas [died 1880], by descent to her son, Francis Thomas de Grey | 1880-1905: Francis Thomas de Grey, Seventh Earl Cowper, Seventh Baron Lucas and Tenth Baron Dingwall [1834-1905], by descent to his nephew Auberon Thomas Herbert | 1905-1916: Auberon Thomas Herbert, Eighth Baron Lucas and Eleventh Baron Dingwall [1876-1916], by descent to his sister Nan Ino Cooper | 1916-1922: Nan Ino Cooper, Ninth Baroness Lucas and Twelfth Baroness Dingwall [1880-1958], consigned to sale at Christie's London | 1922: (Christies’s, London, May 26, 1922, lot 78) | (Agnew, London) | (M. Knoedler & Co., New York) | John L. Severance, Cleveland, OH, by bequest to the Cleveland Museum of Art | 1942-: The Cleveland Museum of Art, Cleveland, OH
  • Cleveland Museum of Art field “Provenance” · copied as is
Date
c. 1761
  • Cleveland Museum of Art field creation_date (museum’s label not yet confirmed) · copied as is
Begin Year
1756
  • Cleveland Museum of Art field creation_date_earliest (museum’s label not yet confirmed) · copied as is
End Year
1766
  • Cleveland Museum of Art field creation_date_latest (museum’s label not yet confirmed) · copied as is

The museum’s own record has not been captured for this object yet, so the museum fields shown above are limited to values LinkedCulture stored unchanged.

Part of a LinkedCulture topic

  • Representative object from the topic English Portrait Miniatures
    English Portrait Miniatures

    A collection of portrait miniatures from 17th-18th century England, predominantly featuring watercolor on ivory or graphite and wash techniques, representing the tradition of intimate personal portraiture in miniature fo

    222 objects from 4 institutions

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