
Cleveland Museum of Art
Portrait of the Ladies Amabel and Mary Jemima Yorke
Joshua ReynoldsLinkedCulture matchlcp-14c29b16a5a1
From the Cleveland Museum of Art record
LinkedCulture assembled this text from several fields of Cleveland Museum of Art’s catalogue record, so it is not the museum’s own wording as published. See “How LinkedCulture maps this record” below.
Cleveland Museum of Art’s catalogue record
- Medium
- oil on canvas
- Credit Line
- Bequest of John L. Severance
- Type of artwork
- Painting
- Department
- European Painting and Sculpture
Also in Cleveland Museum of Art’s record. The museum’s own label for these fields has not been confirmed yet, so each is named by its field in the museum’s data.
- creation_date
- c. 1761
Taken from LinkedCulture’s stored copy of Cleveland Museum of Art’s record. A fresh capture of the museum’s own record has not been made for this object yet.
What the image shows
A woman holds a dove while a young girl plays with a small dog in a garden setting.
Generated by LinkedCulture from the photograph alone, without the museum’s catalogue text (Qwen/Qwen2.5-VL-7B-Instruct), and not yet reviewed by a person. It describes the picture, not the object’s history, and it is not part of the museum’s record.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata. The fields above are the museum’s, under its own labels. LinkedCulture’s derived fields are listed separately below and marked as ours.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Provenance
- c. 1761-1790: Philip Yorke, Viscount Royston, later Second Earl of Hardwicke [1720-1790], St. James Square, London, by descent to his daughter Amabel Yorke, later Hume-Campbell, 1st Countess de Grey | 1790-1833: Amabel Hume-Campbell, 1st Countess de Grey [1751-1833], by descent to her great niece Anne Florence de Grey | 1833-1880: Anne Florence de Grey, Baroness Lucas [died 1880], by descent to her son, Francis Thomas de Grey | 1880-1905: Francis Thomas de Grey, Seventh Earl Cowper, Seventh Baron Lucas and Tenth Baron Dingwall [1834-1905], by descent to his nephew Auberon Thomas Herbert | 1905-1916: Auberon Thomas Herbert, Eighth Baron Lucas and Eleventh Baron Dingwall [1876-1916], by descent to his sister Nan Ino Cooper | 1916-1922: Nan Ino Cooper, Ninth Baroness Lucas and Twelfth Baroness Dingwall [1880-1958], consigned to sale at Christie's London | 1922: (Christies’s, London, May 26, 1922, lot 78) | (Agnew, London) | (M. Knoedler & Co., New York) | John L. Severance, Cleveland, OH, by bequest to the Cleveland Museum of Art | 1942-: The Cleveland Museum of Art, Cleveland, OH
How LinkedCulture maps this record
To search objects from different museums together, LinkedCulture reads each museum’s record into a common set of fields. The values below are LinkedCulture’s, under LinkedCulture’s names. They are not Cleveland Museum of Art’s wording; the museum’s own record is shown above under its own labels.
- Object ID
- 122349
- Object Type
- Painting
- Cleveland Museum of Art field “Type of artwork” · copied as is
- Creator
- Joshua Reynolds
- Cleveland Museum of Art field
creators(museum’s label not yet confirmed) · derived by LinkedCulture from the museum field · Artist-role creator's description with life dates removed.
- Cleveland Museum of Art field
- Culture
- England, 18th century
- Cleveland Museum of Art field “Culture” · copied as is
- Medium
- oil on canvas
- Cleveland Museum of Art field “Medium” · copied as is · Cleveland's 'technique' field holds materials.
- Department
- European Painting and Sculpture
- Cleveland Museum of Art field “Department” · copied as is
- Tags
- male
- Cleveland Museum of Art field
tags(museum’s label not yet confirmed) · combined from several museum fields - Cleveland Museum of Art field
artists_tags(museum’s label not yet confirmed) · combined from several museum fields
- Credit Line
- Bequest of John L. Severance
- Cleveland Museum of Art field “Credit Line” · copied as is
- Provenance
- c. 1761-1790: Philip Yorke, Viscount Royston, later Second Earl of Hardwicke [1720-1790], St. James Square, London, by descent to his daughter Amabel Yorke, later Hume-Campbell, 1st Countess de Grey | 1790-1833: Amabel Hume-Campbell, 1st Countess de Grey [1751-1833], by descent to her great niece Anne Florence de Grey | 1833-1880: Anne Florence de Grey, Baroness Lucas [died 1880], by descent to her son, Francis Thomas de Grey | 1880-1905: Francis Thomas de Grey, Seventh Earl Cowper, Seventh Baron Lucas and Tenth Baron Dingwall [1834-1905], by descent to his nephew Auberon Thomas Herbert | 1905-1916: Auberon Thomas Herbert, Eighth Baron Lucas and Eleventh Baron Dingwall [1876-1916], by descent to his sister Nan Ino Cooper | 1916-1922: Nan Ino Cooper, Ninth Baroness Lucas and Twelfth Baroness Dingwall [1880-1958], consigned to sale at Christie's London | 1922: (Christies’s, London, May 26, 1922, lot 78) | (Agnew, London) | (M. Knoedler & Co., New York) | John L. Severance, Cleveland, OH, by bequest to the Cleveland Museum of Art | 1942-: The Cleveland Museum of Art, Cleveland, OH
- Cleveland Museum of Art field “Provenance” · copied as is
- Date
- c. 1761
- Cleveland Museum of Art field
creation_date(museum’s label not yet confirmed) · copied as is
- Cleveland Museum of Art field
- Begin Year
- 1756
- Cleveland Museum of Art field
creation_date_earliest(museum’s label not yet confirmed) · copied as is
- Cleveland Museum of Art field
- End Year
- 1766
- Cleveland Museum of Art field
creation_date_latest(museum’s label not yet confirmed) · copied as is
- Cleveland Museum of Art field
The museum’s own record has not been captured for this object yet, so the museum fields shown above are limited to values LinkedCulture stored unchanged.
Part of a LinkedCulture topic
English Portrait MiniaturesA collection of portrait miniatures from 17th-18th century England, predominantly featuring watercolor on ivory or graphite and wash techniques, representing the tradition of intimate personal portraiture in miniature fo
222 objects from 4 institutions
Related across collections
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