
Cleveland Museum of Art
The Call
Paul GauguinLinkedCulture matchlcp-94636c6a62fb
- Date
- 1902
- Medium
- oil on fabric
- Culture
- France, late 19th-early 20th Century
- Department
- Modern European Painting and Sculpture
- Institution
- Cleveland Museum of Art
- Object ID
- 123168
What the image shows
Three figures in a natural setting with trees and a pinkish ground.
Generated by LinkedCulture from the photograph alone, without the museum’s catalogue text (Qwen/Qwen2.5-VL-7B-Instruct), and not yet reviewed by a person. It describes the picture, not the object’s history, and it is not part of the museum’s record.
From the Cleveland Museum of Art record
Painted on a remote island in Polynesia a year before the artist's death, The Call belongs to a series of late works that explore the mysteries of life and death. Two women stand with bare feet, as if on sacred ground. One woman gestures to someone outside the picture, perhaps responding to a "call" from fate or destiny. Gauguin realized his ambition of painting from memory and the imagination through such mysterious, dreamlike images. Although known as one of the founders of modern art, Gauguin found inspiration in ancient Greek, Roman, and Egyptian art. The woman with the pointing finger on the right side of this painting was taken from a figure on the Parthenon frieze.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Gift of the Hanna Fund
- Provenance
- Ambroise Vollard [1866-1939], Paris, France | by 1912-1933: Baron Wolf Kohner [1866-1937], Budapest, Hungary | by 1933-1943: (Wildenstein & Co., New York, NY, November 9, 1943, sold to the Cleveland Museum of Art) | 1943-: The Cleveland Museum of Art, Cleveland, OH
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