Adam and Eve

Cleveland Museum of Art

Adam and Eve

Albrecht Dürer

Date
1504
Medium
engraving
Culture
Germany, early 16th Century
Department
Prints
Institution
Cleveland Museum of Art

Albrecht Dürer’s iconic engraving was hugely impactful to the spread of natural symbolism in Europe. Drawing upon Classical sculptural models, he represented Adam and Eve in perfect, uncorrupted beauty moments before tasting the forbidden fruit. The tree of knowledge, with its writhing serpent, is a fig tree, and the tree of life, which Adam clasps, a mountain ash, native to Northern Europe. The elk, rabbit, cat, and ox are symbols of the four human temperaments—melancholic (gloomy), sanguine (sensual), choleric (cruel), and phlegmatic (slothful)—in perfect balance. But the cat and mouse hint at aggression to come, and the parrot, appearing like a beacon in the dark northern forest, heralds the promise of the Virgin Mary (the new Eve). Albrecht Dürer set the Garden of Eden in a northern forest, with the tree of knowledge represented by a fig tree and the tree of life, a mountain ash.

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