Set of Four Armchairs and Settee

Cleveland Museum of Art

Set of Four Armchairs and Settee

Royal Savonnerie Manufactory, Chaillot WorkshopsLinkedCulture matchlcp-74642f788845

Date
c. 1715
Medium
carved wood, Savonnerie knotted-pile (symmetrical rug knot) upholstery; wool, hemp
Culture
France, 18th century
Department
Decorative Art and Design
Institution
Cleveland Museum of Art
Object ID
125218

From the Cleveland Museum of Art record

These chairs belong to a suite that includes a settee (also in the CMA’s collection) and a tapestry made for a count and countess to mark their wedding in 1717. Furniture of this scale was usually placed against the wall in grand reception halls, more as a display of wealth than for use. Upholstered in Savonnerie tapestries, this suite was among the most treasured and expensive example anyone could own and was typically reserved for royalty. To add decorative and intellectual interest to the textiles, weavers incorporated symbols depicting various stories from the Fables of Jean de La Fontaine , published from 1668 to 1694 and largely adapted from Aesop and other early storytellers. The Savonnerie factory can trace its origins to a small carpet studio which set up shop in 1615 south of Paris in a factory that had formerly made soap ( savon in French), hence the name Savonnerie.

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Provenance & credit

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Credit line
John L. Severance Fund
Provenance
1717-1947: Isabella Merode-Westerloo and Franz Joseph Czernin de Chaudnitz, original suite of tapestries and furniture commissioned for their marriage in 1717; then by descent in the family until 1930 or 1931, when they were sold to a dealer, A. & R. Ball, New York. | 1931-1947: (A & R. Ball, New York, sold to the Cleveland Museum of Art) | 1947-?: Cleveland Museum of Art

Part of a LinkedCulture topic

  • Representative object from the topic 18th-Century French Decorative Arts
    18th-Century French Decorative Arts

    These objects represent the luxury decorative traditions of 18th-century France, unified by their use of refined materials (tapestry weave, Savonnerie knotted pile, carved wood), classical themes (Ovid's Metamorphoses, S

    48 objects from 5 institutions

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