The Funeral of Saint Stephen

Cleveland Museum of Art

The Funeral of Saint Stephen

Fra Filippo LippiLinkedCulture matchlcp-8c94332e18f0

Date
c. 1460
Medium
pen and brown ink with brush and brown wash with traces of stylus over traces of black chalk
Culture
Italy, Florence
Department
Drawings
Institution
Cleveland Museum of Art
Object ID
125816

From the Cleveland Museum of Art record

Since frescoes in 15th-century Italy often presented complex narratives, details of storytelling had to be carefully worked out before beginning to paint on wet plaster. Here Fra (Father) Filippo Lippi made a preliminary plan for a composition depicting the funeral of Saint Stephen, part of his fresco cycle on the lives of Saints Stephen and John the Baptist in the cathedral of Prato. His use of the free-flowing but permanent medium of ink allows us to see today the areas where he changed his mind—such as the placement of Stephen’s head and the figure at the altar.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.-JP3RWCZ4yhEJSkn.36aHEC6sEA8i1E7rTMGWB1AKCNYiDSHR4ZhMJlShdUadV_TH00oscIc9zCQSNlmSAlYezMeTGaxYD7OiK1M8-eMhVOy5O-QJIMtfvzQfe68mJ1Ey5rMSXsvMlfOy14di6eoBqsYfz7ZwUGqF2UgHCOijHAYdJpBSyjW8tN5UQvdWj1c-zUgiXXrvennl-p-zqp-15zPeSQNA2_bUxM-SVJ3UI4WT1tRIIHrDxzIKzFICRc1EYPIEPtxrtXM0L0tocifp5SNMDOY4yR1papNLxeGeYOCYOkom3B9vn7Y-5ZFVdWYlaQSee at Cleveland Museum of Art QR destination: https://linkedculture.org/q/q1.HkcyTA8I8IuNXO1-.EqlidjOth6MxuC0jMzESetJkLaj2Zayw9uqXopF1C34vHhZHqc0Yh9Au5uyHB-tX9p5vUjjl_OV5JkY2usb_nkqg_d2ZeFOgGPexwDZ2tOSBALlsA7tfR_Wy0QcwSzRbPJexmPeHa24g3RUtfYo9pfq_84A00xb-TwQl1VYd22FSXZB21Zg7zrq-Nkdi3NpjvLTOzvWyLtFC0eHUCRSEF3p_x4AXIdbghGAc8LeEQFilyGgiYko-u6mAYeGEmzlTi7RkufCqR0a0LqBQx4UKuE0yyx2rnxTtYw5Pzm6l
Open this page
See at Cleveland Museum of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
John L. Severance Fund
Provenance
Possibly Giorgio Vasari, Arezzo | Paul Oswald, Locarno | 1922 (?): Carl O. Schniewind, Zurich and Chicago | ca. 1936: possibly Ludwig Rosenthal, Bern and Munich | ca. 1936: with Dr. F. A. Drey, Munich | 1936: with P & D Colnaghi, London | Colonel Norman Colville, London | with P & D Colnaghi, London | ca. 1947: with Dr. August Maria Klipstein (1885-1951), Bern | 1947: with Richard H. Zinser, Forest Hills, NY. | Paul Oswald, Locarno, Switzerland | 1947: Purchased by Cleveland Museum of Art, Cleveland, OH

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.