
Cleveland Museum of Art
The Breaking Waves, Tide of September 1901
Auguste Louis Lepère
- Date
- 1901
- Medium
- color woodcut
- Culture
- France, early 20th Century
- Department
- Prints
- Institution
- Cleveland Museum of Art
In the 1880s, Lepère was an early exponent of the woodcut as a fine art medium, experimenting with the technique and exhibiting his prints. His example probably encouraged Henri Rivière to produce woodcuts in the Japanese manner (see Wave in the Rain). In fact, Lepère and Rivière created the first French color woodcuts conceived and printed entirely in imitation of Japanese woodcut techniques. By 1890, woodcut would be taken up by the sculptor Aristide Maillol and such painters as Félix Vallotton and Paul Gauguin, and by 1895, a full-scale revival was underway.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.
Breaking Waves, September Tide
Art Institute of Chicago

The Breaking Waves, Tide of September 1901
Cleveland Museum of Art

The Breaking Waves, Tide of September 1901
Cleveland Museum of Art

La vague (The Wave)
Minneapolis Institute of Art

Study for the woodcut 'Bassin des Tuileries'
Cleveland Museum of Art
The Breaking Wave
Art Institute of Chicago

Wave
Cleveland Museum of Art
Woodcutters' Meal
Art Institute of Chicago

Wiston River
Minneapolis Institute of Art

Watering Place
Minneapolis Institute of Art

The Palace of Justice, Seen from the Notre-Dame Bridge
Minneapolis Institute of Art

Seated Female Figures, Studies for Burial in the Vendeen Marsh
Minneapolis Institute of Art