
Cleveland Museum of Art
Summer: Harvest Scene
Gobelins ManufactoryLinkedCulture matchlcp-55a1469dbe13
- Date
- designed c. 1535, woven mid- to late 1600s
- Medium
- Wool, silk, and gold filé: tapestry weave
- Culture
- France
- Department
- Textiles
- Institution
- Cleveland Museum of Art
- Object ID
- 130167
From the Cleveland Museum of Art record
The wheat harvest took place in July and represented the hard, hot work of summer. The reaper in the foreground and his companion in the middle distance swing their scythes high above their heads as they prepare to cut the wheat stalks. Underneath the shade of an apple tree, three figures in the foreground are determining a price for the wheat. A woman gestures to the coins that the seated man is counting. Behind them another man holds an account book, in which he records their decisions. His pen holder and ink pot hang from his belt. In the distance to the right, two horses draw a cart piled high with wheat toward four farmers who gather bunches of wheat stalks together and tie them into bundles. Images of the harvest provided a way to express pride in the fruitfulness and plenty of a particular region and celebrate the diligence of the field laborers.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Gift of Francis Ginn, Marian Ginn Jones, Barbara Ginn Griesinger, and Alexander Ginn in memory of Frank Hadley Ginn and Cornelia Root Ginn
- Provenance
- Balloch Castle, Scotland | January 27-Febuary 3, 1923: Henry Symons Sale: Anderson Galleries, New York, January 27-Febuary 3, 1923 | 1923-1952: Frank Hadley Ginn (1868-1938) and Cornelia Winifred Root Ginn (1877-1937), Cleveland, OH | 1952-: The Cleveland Museum of Art, Cleveland, OH
Part of LinkedCulture topics
18th-Century French Decorative ArtsThese objects represent the luxury decorative traditions of 18th-century France, unified by their use of refined materials (tapestry weave, Savonnerie knotted pile, carved wood), classical themes (Ovid's Metamorphoses, S
48 objects from 5 institutions
French Equestrian LithographyThese prints are connected by their French origin, lithographic printing technique, and shared subject matter depicting horses, riders, and military cavalry scenes from the 19th century.
77 objects from 5 institutions
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