Three Sketches of Arches (verso)

Cleveland Museum of Art

Three Sketches of Arches (verso)

Francesco GuardiLinkedCulture matchlcp-64d9ac2ab41a

Date
1782
Medium
pen and brown ink
Culture
Italy, Venice
Department
Drawings
Institution
Cleveland Museum of Art
Object ID
132646

From the Cleveland Museum of Art record

This drawing records a grand procession through Venice's Piazza San Marco on the penultimate day of the 1782 celebrations for the visit of the Russian Grand Duke Paul (Pavel) Petrovitch and his wife Maria Feodorovna. Francesco Guardi was likely commissioned by the Venetian state to document the ducal visit. Drawing from the vantage point of the Procuratie Nuove (a palace on one side of the piazza), Guardi sketched five carriages festooned with allegories, which were meant to celebrate the governments of Catherine the Great and Venice. In order to include as much of the procession as possible, he manipulated the perspective of the buildings on the right side of the square.The loose handling and lively immediacy of the pen work suggests he executed it on the spot. One drawing (Museen Preußischer Kulturbesitz, Berlin) and two oil paintings (private collections, Venice and Milan) of the same scene survive. Cleveland’s sheet likely preceded these more detailed and polished compositions. Before entering the museum's collection, this sheet may have been cut on the left, possibly to eliminate a sixth carriage that does not appear in Guardi’s other representations of the procession.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.rhBlWkbrA_kUj4hW.wmRxC1g4bhVcK5gaBH_FzxT6NoXCew4rxWCMFwfU837YZcksPuWab76Kek8LteeZn8Rd-75ngDR6EDsMSX1WX6G3jPv-SAISnaKazWydakRLZym4uusNkbXkTq13nMQvZv_le7uWbkdVgq4X53LTh2O42lPozm4bBqpjKSnk51cAFSfLh_1aYAuUqLQezCA8egazwnVT6_Hr_Lg2D6Kh9a4ZjIjXj1o9R-sAEIzD2nRNe15UqRD78QT2lZoxT2qZVoRdVPSNIzUpCRjeXqGypNCt2mNnlf54N6kf8moaYx8dKdh8UASee at Cleveland Museum of Art QR destination: https://linkedculture.org/q/q1.QVdPSSw5xSvgwLJA.Jdm6huhianXy5q_ze1FwnUgIWGsYEkK5EmpUfO-B5w4F_xagpsArFi_dHbGgT2AJuzT985UCGZSPXy1NZqgiudxUCgg5Q6ZkyihYICtwhRm2NoQKdvoe8SURzSakdIlXTJbYoDwr6GysOgmiCpDNRmZo_d_SoB4wF0z0UX2cWb9M-Ho6EaqxGflVKW85PJ7-R4RPJzAp4_FnUY0s9eP602NXzO5mPqzXOSKaXcQrLIxoCGImUi4rrC1a3gPne6kw_sXNAhhcKzjWFtErxRCVh9UUvHSleb4TK7Hxk06YdIYl
Open this page
See at Cleveland Museum of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
John L. Severance Fund
Provenance
?-1936: Henry Oppenheimer, London | 10 July 1936: Sold at Henry Oppenheimer's sale at Christie's, London, no. 93 | ?-1954: Brinsley Ford, London | 10 November 1954: Sold at Brinsley Ford's sale at Sotheby's, London, no. 39 | with Richard H. Zinser, New York | 1955: Purchased by Cleveland Museum of Art, Cleveland, OH

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.