
Cleveland Museum of Art
Pair of Roundback Armchairs: Lohan Type
- Date
- 1600–1700s
- Medium
- Rosewood (huanghuali)
- Culture
- China, Ming dynasty (1368–1644) to Qing dynasty (1644–1911)
- Department
- Chinese Art
- Institution
- Cleveland Museum of Art
In history, China moved from an original floor culture to high chairs and tables, developing a unique tradition of craftsmanship. Although still relatively unexplored, the manufacturing and styles of furniture differ by region. These horseshoe-back armchairs were made in Jiangsu province. Their simplicity and minimalist elegance are characteristic of Suzhou-style furniture and aesthetics. The backs of the chairs are made of seven pieces of wood, joined and secured with an inserted wooden pin, a mortise-tenon technique that appeared in its earliest form in Neolitihic fragments of the Hemudu culture. The existence of such chairs in pairs suggests that they were used in more formal settings reserved for important guests and family members of age and high status.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.

Roundback Armchair: Lohan Type
Cleveland Museum of Art

Roundback Armchair: Lohan Type
Cleveland Museum of Art

Folding round-back armchair
Minneapolis Institute of Art

Armchair with Continuous Yoke Back, one of a pair
Minneapolis Institute of Art

Roundback Armchair
Minneapolis Institute of Art

Pair of Low Back Armchairs
Minneapolis Institute of Art

Roundback Armchair, one of a pair
Minneapolis Institute of Art

Low-Back Armchair
Minneapolis Institute of Art

Yokeback Armchair, one of a pair
Minneapolis Institute of Art

Yokeback Armchair
Minneapolis Institute of Art
Pair of Hall Chairs
Art Institute of Chicago

Yokeback Armchair
Minneapolis Institute of Art