Bodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array)

Cleveland Museum of Art

Bodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array)

Date
1000–1100s
Medium
gum tempera and ink on palm leaf
Culture
Nepal
Department
Indian and Southeast Asian Art
Institution
Cleveland Museum of Art

The painting in the center shows a righteous bodhisattva tossing aside a blue-skinned heretic, while an impious blue-clad monk sits behind them, the next to be overpowered by the righteous one. In the painting on the left, the Bodhisattva of Wisdom, Manjushri, brandishes his sword, and at the far right, a Buddhist priest (Vajracharya) sets fire to a Hindu sage in a rocky landscape. Blue-clad monks were said to visit prostitutes, drink liquor, and practice extreme tantric rituals.

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