
Cleveland Museum of Art
Monster Caryatid
- Date
- late 500s
- Medium
- Limestone
- Culture
- China, possibly from Xiangtangshan, Northern Qi dynasty (550–577)
- Department
- Chinese Art
- Institution
- Cleveland Museum of Art
This squatting monster with claws on its knees, braces its shoulders against an overhanging molding. The half-human, half-animal creature was likely part of a Buddhist cave-temple complex at Xiangtangshan, in Hebei Province, northwest China. Found in the lower registers of stone monuments of either architectural structures or statues of Buddhist deities, such monsters had a supportive function. Their scary appearance was believed to keep evil spirits away from the sacred sites. The complex of Buddhist cave temples at Xiangtangshan, “Mountain of Echoing Halls,” is a central achievement of the Northern Qi period.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.

Kneeling Winged Monster
Cleveland Museum of Art
One of Two Standing, Mustachioed Male Figures, Each Wearing a Cape and a Full, Rounded Hat with Protective Neck and Ear Flap, and Each with His Hands Clasped at the Waist and Concealed under His Cape
Harvard Art Museums

Head of Buddha
Cleveland Museum of Art

Bovendorpel
Rijksmuseum
Standing, Bearded Male Figure, Probably a Guardian Warrior, Wearing Helmet with Protective Neck and Ear Flaps, Cape, and Pointed Boots, with His Arms at His Sides
Harvard Art Museums
Armored Guardian King (Tianwang) Trampling Demon
Art Institute of Chicago
Armored Guardian King (Tianwang) Trampling Demon
Art Institute of Chicago

Tomb Guardian with Human Face
Cleveland Museum of Art

Landscape
Cleveland Museum of Art

Capital with Addorsed Quadrupeds
Cleveland Museum of Art

Tomb Guardian with Animal Head
Cleveland Museum of Art
Standing, Armor-Clad Guardian Warrior Wearing Pointed Boots and Helmet with Protective Neck and Ear Flaps, His Left Hand Holding a Shield Embellished with an Animal Mask, His Right Hand Positioned to Hold a Lance or Spear
Harvard Art Museums