
Cleveland Museum of Art
The Bird's Nest Patriarch
Tawaraya SōtatsuLinkedCulture matchlcp-7d11b9e4d179
- Date
- early to mid-1600s
- Medium
- hanging scroll; ink on paper
- Culture
- Japan, Edo period (1615–1868)
- Department
- Japanese Art
- Institution
- Cleveland Museum of Art
- Object ID
- 135273
From the Cleveland Museum of Art record
Tawaraya Sōtatsu’s painting was inspired by a 1602 Chinese book that featured images of legendary Chinese Buddhist experts and Daoist sages. The monk portrayed here is Niaoge, which literally means “Bird’s Nest.” He was a Zen practitioner who favored the isolation of treetops, from which he offered advice to the perplexed. The posture of the single figure suggests a dialogue with someone below. Sōtatsu was a master of the “boneless” ( mokkotsu ), or un-outlined, style of ink painting that relies on layered pools of ink wash for effect. This painting is based on the 1602 illustrated publication Marvelous Traces of Immortals and Buddhas (Chinese: Xianfo qizong ).
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Norman O. Stone and Ella A. Stone Memorial Fund
- Provenance
- ?–1958: (Mathias Komor [1909–1984], New York, NY, sold to the Cleveland Museum of Art) | 1958–: The Cleveland Museum of Art, Cleveland, OH
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