Cleveland Museum of Art

Eruption of Mount Aetna in 1669

Thomas Sutherland

Date

1809

Medium

aquatint with engraving

Culture

England, 18th century

Department

Prints

Institution

Cleveland Museum of Art

With the eruptions of Mount Etna and Mount Vesuvius in the 1700s, volcanoes entered the scientific and popular imagination of Enlightenment Europe. Scientists and philosophers theorized the origins of these spectacular displays; curious tourists visiting Italy wrote home with accounts of burning rivers and destroyed towns. The rediscovery of the ancient sites of Herculaneum and Pompeii, buried by Mount Vesuvius’s eruption in 79 CE, added further fuel to the fire. Attempting to capture the drama of these cataclysmic events, artists innovatively used the tonal range of aquatint and the white of the paper to evoke the dramatic effects of spewing hot lava and burning clouds of volcanic ash. Active volcanoes like Mount Etna and Mount Vesuvius were a popular destination for European tourists visiting Italy in the 1700s.

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