
Cleveland Museum of Art
The Meeting of Joachim and Anna at the Golden Gate
Albrecht DürerLinkedCulture matchlcp-91cf98b472c5
- Date
- 1504
- Medium
- woodcut
- Culture
- Germany, early 16th Century
- Department
- Prints
- Institution
- Cleveland Museum of Art
- Object ID
- 136187
From LinkedCulture
This 1504 woodcut by Albrecht Dürer captures the moment two elderly people learn, against all expectation, that they will have a child. Joachim and Anna embrace at Jerusalem's Golden Gate beneath an ornate Gothic arch packed with scrolling foliage, while a crowd of onlookers gestures behind them. Dürer's monogram sits prominently at the lower center, and the dense crosshatching in the stonework and drapery pushed the woodcut medium further than any German artist had before him.
Written by LinkedCulture for its video on this object. Machine-generated (claude-sonnet-4-6), not yet reviewed by a person. It is not part of the museum’s record.
What the image shows
A group of people gather around a central figure in a doorway, with a scenic view outside.
Generated by LinkedCulture from the photograph alone, without the museum’s catalogue text (Qwen/Qwen2.5-VL-7B-Instruct), and not yet reviewed by a person. It describes the picture, not the object’s history, and it is not part of the museum’s record.
From the Cleveland Museum of Art record
The first three woodcuts of Dürer’s narrative (1959.99.2-4) portray the events leading up to the Virgin’s birth. According to an apocryphal text, Mary’s parents, Joachim and Anna, had remained childless into old age. After Joachim’s offering at the temple was rejected for this reason, the angel Gabriel appeared to him in the wilderness to announce that his wife would soon bear a child. At this news, the two tenderly embraced at the city’s gate.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Dudley P. Allen Fund
- Provenance
- ?–1959: (William H. Schab Gallery, New York, NY, sold to the Cleveland Museum of Art) | 1959–: The Cleveland Museum of Art, Cleveland, OH
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.