
Cleveland Museum of Art
Hercules at the Crossroad
Albrecht Dürer
- Date
- c. 1498
- Medium
- engraving
- Culture
- Germany, late 15th-early 16th century
- Department
- Prints
- Institution
- Cleveland Museum of Art
In his journal, Albrecht Dürer referred to this enigmatic engraving as “the Hercules,” but the image is not a typical representation of the mythological hero’s 12 labors. The subject derives from a Greek parable, where Hercules decides between a life of pleasure or one of virtue. The moral dispute plays out here as a battle between two personifications, Virtue, wielding a club, and Pleasure, lying with a satyr. Hercules’s crossroad is a copse of trees between two paths: the ascent to civilization at left (pleasure?), or the winding river to the wilderness at right (virtue?). The rooster on the helmet of Hercules in this image may symbolize the hero's valor.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.
Hercules at the Crossroads (Jealousy)
Art Institute of Chicago

Knight, Death, and the Devil
Minneapolis Institute of Art

Knight, Death, and the Devil
Cleveland Museum of Art

Hercules Chains Cerberus
Minneapolis Institute of Art

Hercules
Cleveland Museum of Art

Hercules Fighting the Centaurs, From the Labors of Hercules
Minneapolis Institute of Art

Hercules Destroys the Lernaean Hydra
Minneapolis Institute of Art

L'effet de la jalousie
Getty Museum

Death of Hercules, From the Labors of Hercules
Minneapolis Institute of Art

Statuette of Hercules
Getty Museum

Hercules Capturing Cerberus, From the Labors of Hercules
Minneapolis Institute of Art

Hercules Resting (recto)
Cleveland Museum of Art