Three suitors fight amongst themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night

Cleveland Museum of Art

Three suitors fight amongst themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night

Date
c. 1560
Medium
gum tempera, ink, and gold on paper
Culture
Mughal India, court of Akbar (reigned 1556–1605)
Department
Indian and Southeast Asian Art
Institution
Cleveland Museum of Art

In the foreground, three men brawl. Each was promised the hand of a religious man’s daughter, and each believed himself to be the worthiest suitor. The daughter, sitting in the chamber with her mother, is so upset by the conflict that she falls ill and appears to die. Her father, the devotee, sits in the background alongside his son. Allah’s name is painted in a roundel on the wall, signaling the Muslim family’s devotion.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.

The three suitors again begin to quarrel among themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night

The three suitors again begin to quarrel among themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night

Cleveland Museum of Art

The three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

The three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

Cleveland Museum of Art

The third suitor strikes the devotee’s daughter and thus restores her to life, from a Tuti-nama (Tales of a Parrot): Twentieth Night

The third suitor strikes the devotee’s daughter and thus restores her to life, from a Tuti-nama (Tales of a Parrot): Twentieth Night

Cleveland Museum of Art

The suitors take the devotee’s daughter out of her tomb after breaking it open, when the physician discovers she is still alive, from a Tuti-nama (Tales of a Parrot): Twentieth Night

The suitors take the devotee’s daughter out of her tomb after breaking it open, when the physician discovers she is still alive, from a Tuti-nama (Tales of a Parrot): Twentieth Night

Cleveland Museum of Art

The merchant’s daughter encounters a wolf and bandits on her way to meet the gardener in order to keep her promise, from a Tuti-nama (Tales of a Parrot): Twelfth Night

The merchant’s daughter encounters a wolf and bandits on her way to meet the gardener in order to keep her promise, from a Tuti-nama (Tales of a Parrot): Twelfth Night

Cleveland Museum of Art

The third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

The third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

Cleveland Museum of Art

The pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

The pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

Cleveland Museum of Art

The king gives his daughter in marriage to the pious man’s son, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

The king gives his daughter in marriage to the pious man’s son, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

Cleveland Museum of Art

The Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

The Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Twentieth Night, from a Tuti-nama (Tales of a Parrot)

The Parrot Addresses Khujasta at the Beginning of the Twentieth Night, from a Tuti-nama (Tales of a Parrot)

Cleveland Museum of Art

The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

Cleveland Museum of Art

The Raja’s daughter and her lover stoned to death for adultery, from a Tuti-nama (Tales of a Parrot): Forty-Second Night

The Raja’s daughter and her lover stoned to death for adultery, from a Tuti-nama (Tales of a Parrot): Forty-Second Night

Cleveland Museum of Art