Habbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night

Cleveland Museum of Art

Habbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night

Date
c. 1560
Medium
gum tempera, ink, and gold on paper
Culture
Mughal India, court of Akbar (reigned 1556–1605)
Department
Indian and Southeast Asian Art
Institution
Cleveland Museum of Art

Habbaza clandestinely meets with her lover Bashir outside of her village. The two lovers have been separated by Habbaza’s husband, who learned of their affair. Bahir’s friend, who arranged the secret meeting, waits at the right. The lower register shows a scene of the activity in Habbaza’s village. The dark sky indicates that this scene takes place at night.

View at Cleveland Museum of Art ↗

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.

Bashir confides his love for Habbaza to an Arab friend, and sends him to her with a message, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night

Bashir confides his love for Habbaza to an Arab friend, and sends him to her with a message, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night

Cleveland Museum of Art

Habbaza’s sister, who is sent to console her, discovers the disguised Arab in her place, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night

Habbaza’s sister, who is sent to console her, discovers the disguised Arab in her place, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night

Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Twenty-Fourth Night, from a Tuti-nama (Tales of a Parrot)

The Parrot Addresses Khujasta at the Beginning of the Twenty-Fourth Night, from a Tuti-nama (Tales of a Parrot)

Cleveland Museum of Art

The disguised Arab, substituting for Habbaza, is whipped by her husband for refusing a bowl of milk, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night

The disguised Arab, substituting for Habbaza, is whipped by her husband for refusing a bowl of milk, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night

Cleveland Museum of Art

The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

Cleveland Museum of Art

The street cleaner, on his way to meet King Bhojaraja, sleeps under a tree where four thieves disguised as fellow travelers deprive him of a priceless pearl, from a Tuti-nama (Tales of a Parrot): Twelfth Night

The street cleaner, on his way to meet King Bhojaraja, sleeps under a tree where four thieves disguised as fellow travelers deprive him of a priceless pearl, from a Tuti-nama (Tales of a Parrot): Twelfth Night

Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Twenty-seventh Night, form a Tuti-nama (Tales of a Parrot)

The Parrot Addresses Khujasta at the Beginning of the Twenty-seventh Night, form a Tuti-nama (Tales of a Parrot)

Cleveland Museum of Art

The parrot addresses Khujasta at the beginning of the fifty-first night, from a Tuti-nama (Tales of a Parrot): Fifty-first Night

The parrot addresses Khujasta at the beginning of the fifty-first night, from a Tuti-nama (Tales of a Parrot): Fifty-first Night

Cleveland Museum of Art

Shahr-Arai and her husband adopt her lover as a brother in the family, from a Tuti-nama (Tales of a Parrot): Fortieth Night

Shahr-Arai and her husband adopt her lover as a brother in the family, from a Tuti-nama (Tales of a Parrot): Fortieth Night

Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Twenty-ninth Night, from a Tuti-nama (Tales of a Parrot)

The Parrot Addresses Khujasta at the Beginning of the Twenty-ninth Night, from a Tuti-nama (Tales of a Parrot)

Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot)

The Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot)

Cleveland Museum of Art

The parrot addresses Khujasta at the beginning of the forty-third night, from a Tuti-nama (Tales of a Parrot)

The parrot addresses Khujasta at the beginning of the forty-third night, from a Tuti-nama (Tales of a Parrot)

Cleveland Museum of Art