The three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

Cleveland Museum of Art

The three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

Date
c. 1560
Medium
gum tempera, ink, and gold on paper
Culture
Mughal India, court of Akbar (reigned 1556–1605)
Department
Indian and Southeast Asian Art
Institution
Cleveland Museum of Art

Above, two women listen as three suitors address the merchant of Kabul. Each hopes to prove himself worthy of marrying the merchant’s daughter, Zuhra. The first is skilled in divination; the second can bring carved wooden horses to life, and the third is a talented archer. Before Zuhra can select a husband, she is kidnapped by an evil fairy. Zuhra is also the name of the planet Venus.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.

The three suitors again begin to quarrel among themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night

The three suitors again begin to quarrel among themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night

Cleveland Museum of Art

The third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

The third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

Cleveland Museum of Art

Three suitors fight amongst themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night

Three suitors fight amongst themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night

Cleveland Museum of Art

The suitors take the devotee’s daughter out of her tomb after breaking it open, when the physician discovers she is still alive, from a Tuti-nama (Tales of a Parrot): Twentieth Night

The suitors take the devotee’s daughter out of her tomb after breaking it open, when the physician discovers she is still alive, from a Tuti-nama (Tales of a Parrot): Twentieth Night

Cleveland Museum of Art

The third suitor strikes the devotee’s daughter and thus restores her to life, from a Tuti-nama (Tales of a Parrot): Twentieth Night

The third suitor strikes the devotee’s daughter and thus restores her to life, from a Tuti-nama (Tales of a Parrot): Twentieth Night

Cleveland Museum of Art

The merchant’s daughter encounters a wolf and bandits on her way to meet the gardener in order to keep her promise, from a Tuti-nama (Tales of a Parrot): Twelfth Night

The merchant’s daughter encounters a wolf and bandits on her way to meet the gardener in order to keep her promise, from a Tuti-nama (Tales of a Parrot): Twelfth Night

Cleveland Museum of Art

The parrot addresses Khujasta at the beginning of the thirty-sixth night, from a Tuti-nama (Tales of a Parrot)

The parrot addresses Khujasta at the beginning of the thirty-sixth night, from a Tuti-nama (Tales of a Parrot)

Cleveland Museum of Art

The parrot addresses Khujasta at the beginning of the thirty-fourth night, from a Tuti-nama (Tales of a Parrot)

The parrot addresses Khujasta at the beginning of the thirty-fourth night, from a Tuti-nama (Tales of a Parrot)

Cleveland Museum of Art

The parrot addresses Khujasta at the beginning of the thirty-second night, from a Tuti-nama (Tales of a Parrot)

The parrot addresses Khujasta at the beginning of the thirty-second night, from a Tuti-nama (Tales of a Parrot)

Cleveland Museum of Art

The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

Cleveland Museum of Art

Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night

Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night

Cleveland Museum of Art

The merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night

The merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night

Cleveland Museum of Art