The prince’s ordeal continues, he is ordered away to be executed for the fifth time, from a Tuti-nama (Tales of a Parrot): Eighth Night

Cleveland Museum of Art

The prince’s ordeal continues, he is ordered away to be executed for the fifth time, from a Tuti-nama (Tales of a Parrot): Eighth Night

Ghulam 'Ali

Date
c. 1560
Medium
gum tempera, ink, and gold on paper
Culture
Mughal India, court of Akbar (reigned 1556–1605)
Department
Indian and Southeast Asian Art
Institution
Cleveland Museum of Art

The deceptive handmaiden appeals her case to the enthroned king, falsely claiming that the young prince has assaulted her. The prince, dressed in white, is taken away by two armed guards to be executed. Works attributed to the artist Ghulam ‘Ali are found in only one other known manuscript.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

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The prince being taken away for execution on the false complaint of the handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night

The prince being taken away for execution on the false complaint of the handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night

Cleveland Museum of Art

The handmaiden again appeals for justice and the prince is led to the place of execution for the third time, from a Tuti-nama (Tales of a Parrot): Eighth Night

The handmaiden again appeals for justice and the prince is led to the place of execution for the third time, from a Tuti-nama (Tales of a Parrot): Eighth Night

Cleveland Museum of Art

The handmaiden appeals for justice and the prince is taken to the execution site for the fourth time, from a Tuti-nama (Tales of a Parrot): Eighth Night

The handmaiden appeals for justice and the prince is taken to the execution site for the fourth time, from a Tuti-nama (Tales of a Parrot): Eighth Night

Cleveland Museum of Art

The prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night

The prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night

Cleveland Museum of Art

The handmaiden again pleads for the death of the prince, from a Tuti-nama (Tales of a Parrot): Eighth Night

The handmaiden again pleads for the death of the prince, from a Tuti-nama (Tales of a Parrot): Eighth Night

Cleveland Museum of Art

The prince, once reprieved, is returned to the palace of execution a second time on the plea of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night

The prince, once reprieved, is returned to the palace of execution a second time on the plea of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night

Cleveland Museum of Art

The prince rejects the amorous advances of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night

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Cleveland Museum of Art

The young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night

The young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night

Cleveland Museum of Art

The king’s handmaiden takes the prince away to the harem, from a Tuti-nama (Tales of a Parrot): Eighth Night

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Cleveland Museum of Art

The guard spares the life of the slave when he learns that he is the son of the princess of the Rum, from a Tuti-nama (Tales of a Parrot): Fiftieth Night

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Cleveland Museum of Art

The young prince recounts his experiences to his father, the king, from a Tuti-nama (Tales of a Parrot): Eighth Night

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Cleveland Museum of Art

The young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night

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Cleveland Museum of Art