Cleveland Museum of Art

The handmaiden again pleads for the death of the prince, from a Tuti-nama (Tales of a Parrot): Eighth Night

LaluLinkedCulture matchlcp-ee3b698ab380

Date: c. 1560
Medium: gum tempera, ink, and gold on paper
Culture: Mughal India, court of Akbar (reigned 1556–1605)
Department: Indian and Southeast Asian Art
Institution: Cleveland Museum of Art
Object ID: 137953

From the Cleveland Museum of Art record

This early Mughal court scene is the last of the series in which the handmaiden lies about how the prince raped her, and she threatens to burn herself to death if he is not executed. She is depicted in the lower right of the composition. The seventh vizier in the green robe demanded that the prince be brought to the assembly, and he is led in, bound, his turban in disarray. The prince’s undone turban, loose hair, and bound wrists indicate his ordeal.

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Provenance & credit

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Credit line: Gift of Mrs. A. Dean Perry
Provenance: ?–1959: Estate of Breckinridge Long [1881–1958], Bowie, MD | 1959–1962?: (Harry Burke Antiques, Philadelphia, PA) | 1959?–1962: (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry) | 1962–: The Cleveland Museum of Art, Cleveland, OH

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