The Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot)

Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot)

Banavari 2LinkedCulture matchlcp-c4302e4cbc31

Date
c. 1560
Medium
gum tempera, ink, and gold on paper
Culture
Mughal India, court of Akbar (reigned 1556–1605)
Department
Indian and Southeast Asian Art
Institution
Cleveland Museum of Art
Object ID
137986

From the Cleveland Museum of Art record

When the lover of the ocean—the sun—entered his place of retirement in the west and the beloved of the stars— the moon—came out of the bride’s apartment in the east, Khujasta with eyes wet like the sea and tears like brilliant gems went to Tuti to ask his permission to leave. . . . Eleven days and nights have come and gone since Khujasta fell for a local prince. Each night, having prepared herself for a lovers’ rendezvous, her husband’s pet parrot has beguiled her into staying up all night listening to his stories at home. On this night, he tells her that it is good that she has sought his advice on going out, for “[Anyone] who seeks counsel in regard to his affairs and secures advice on his problems will see exactly what the Brahman saw.” Unable to stem her curiosity, she asks the parrot what he saw. Two painters named Banavari are known to have been active during the Akbar period.

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Provenance & credit

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Credit line
Gift of Mrs. A. Dean Perry
Provenance
?–1959: Estate of Breckinridge Long [1881–1958], Bowie, MD | 1959–1962?: (Harry Burke Antiques, Philadelphia, PA) | 1959?–1962: (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry) | 1962–: The Cleveland Museum of Art, Cleveland, OH

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