Arm of Eve

Cleveland Museum of Art

Arm of Eve

Albrecht DürerLinkedCulture matchlcp-91cf98b472c5

Date
1507
Medium
point of brush and gray and black wash, brush and gray and black wash, heightened with white gouache
Culture
Germany, Nuremberg
Department
Drawings
Institution
Cleveland Museum of Art
Object ID
141931

Arm of Eve is the only surviving preparatory drawing for Dürer’s life-size panels of Adam and Eve in the Museo del Prado, Madrid. It is also one of the few surviving drawings by the artist made on Venetian blue paper, a support he began to use for his chiaroscuro studies while visiting Venice in the winter of 1506–7. With extraordinary economy of means, using only black and gray ink and a limited amount of wash and gouache for shading and heightening, Dürer suggested the grace and balance of the complete human form in this composition of a disembodied arm and hand. Such a study of a hand in ideal proportions cannot help but suggest the hand of the artist, a self-referential nod to his own abilities. The blue paper that Dürer used to make this drawing was a specialty of Venetian paper makers in the 16th century, who achieved the color by infusing the paper pulp with dyed fibers.

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Provenance & credit

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Credit line
Gift of Alan Kennedy
Provenance
?-1818/23: Joseph Grünling (1875-1845), Vienna (Lugt 1107). | ?-1888: Alfred Ritter von Franck (1808-1884), Vienna/Graz (Lugt 947) | ca. 1884: With Amsler & Ruthardt, Berlin | ?-1888: Ferdinand Meder, New York; his sale "with Mr. C. Klackner", New York, 1888 | ?-1899: Edward Habich (1818-1901), Kassel; his sale, Gutekunst-Auction, Stuttgart, 27 April 1899, lot 236; | 1899-1926: Graphische Sammlung Albertina, Vienna (property of Archduke Friedrich of Austria) (Lugt 174) | ca. 1926-ca. 1938: Eugene Meyer (1875-1959), Washington, DC | 1938: with Arthur H. Harlow & Co., New York | 1938: with Walter Schatzki, New York; | 1938-1965: Frits Lugt (1884-1970), Paris/The Hague | 1965: with Richard H. Zinser, New York. | 1965-: Cleveland Museum of Art, Cleveland, OH

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