Cleveland Museum of Art

The Breadth and Flatness of the Frontal Bone

Date

1896

Medium

lithograph on China paper laid on wove paper

Culture

France, late 19th Century

Department

Prints

Institution

Cleveland Museum of Art

Odilon Redon was a voracious reader of contemporary literature, and such texts often influenced his art. This series was inspired by The Haunted and the Haunters, an 1859 novel by British writer Edward Bulwer-Lytton. Redon’s prints capture the book’s mysterious tone and emphasis on the supernatural through vague but evocative imagery that sometimes borders on abstraction. By this time a seasoned expert in lithography, the artist collaborated with master printer Auguste Clot. Their combined technical skills allowed for the rich tonal variation seen here, made by turning Redon’s lithographic crayon on its side, layering various marks, and even scratching directly into the surface of his stone. One of Redon's greatest patrons, the occultist René Philipon, commissioned this portfolio as a supplement for his French translation of Bulwer-Lytton's The Haunted and the Haunters.

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