
Cleveland Museum of Art
Madame Case
Eugène CarrièreLinkedCulture matchlcp-9645c741f5f0
- Date
- after September 1900, probably summer 1901
- Medium
- oil on fabric
- Culture
- France, late 19th-early 20th Century
- Department
- Modern European Painting and Sculpture
- Institution
- Cleveland Museum of Art
- Object ID
- 143141
From the Cleveland Museum of Art record
This painting may depict the wife of the artist's close friend, writer Jules Case. In a letter written after her death, Case asked the artist to paint her portrait from an enlarged photograph. "My dear friend," Case wrote, "would you preserve the only face which, from now on, can bring me some little joy, if one can use this word for a sentiment mixed with so much suffering." Carrière emphasized the poetic mood by placing the shadowy figure in a vague, dreamlike space. Known for his evocative paintings of women and children, Eugène Carrière was loosely associated with the French Symbolist movement, which aimed at expressing inner, spiritual life and emotions rather than the outward appearance of physical reality. The painting evokes an illusory, dreamy quality that may reflect the fact that Carrière never met his model.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Mr. and Mrs. William H. Marlatt Fund
- Provenance
- Commissioned by Jules Case, Paris, after the death of his wife, 1900. Brook St. Gallery Ltd., London. Bought by the CMA in 1967.
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