Madame Case

Cleveland Museum of Art

Madame Case

Eugène CarrièreLinkedCulture matchlcp-9645c741f5f0

Date
after September 1900, probably summer 1901
Medium
oil on fabric
Culture
France, late 19th-early 20th Century
Department
Modern European Painting and Sculpture
Institution
Cleveland Museum of Art
Object ID
143141

From the Cleveland Museum of Art record

This painting may depict the wife of the artist's close friend, writer Jules Case. In a letter written after her death, Case asked the artist to paint her portrait from an enlarged photograph. "My dear friend," Case wrote, "would you preserve the only face which, from now on, can bring me some little joy, if one can use this word for a sentiment mixed with so much suffering." Carrière emphasized the poetic mood by placing the shadowy figure in a vague, dreamlike space. Known for his evocative paintings of women and children, Eugène Carrière was loosely associated with the French Symbolist movement, which aimed at expressing inner, spiritual life and emotions rather than the outward appearance of physical reality. The painting evokes an illusory, dreamy quality that may reflect the fact that Carrière never met his model.

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Provenance & credit

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Credit line
Mr. and Mrs. William H. Marlatt Fund
Provenance
Commissioned by Jules Case, Paris, after the death of his wife, 1900. Brook St. Gallery Ltd., London. Bought by the CMA in 1967.

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