
Cleveland Museum of Art
Hen
- Date
- 1900s
- Medium
- wood
- Culture
- Nigeria, Benin Kingdom, Ẹdo peoples, member(s) of the Igbesanmwan (wood and ivory carvers) guild
- Department
- African Art
- Institution
- Cleveland Museum of Art
- Object ID
- 147489
From the Cleveland Museum of Art record
Materials used for ritual objects correspond with the status of their owner, or the person it was dedicated to. Men have cast brass roosters, while women have carved wooden hens like this. This egg-shaped bird is covered with patterns formed by parallel lines indicating the bird’s feathers, from fluffy tufts to sleek plumage. Realistically carved, it replicates an animal that would be sacrificed on a woman’s shrine. On an ancestral altar, it sat alongside other objects like rattle staffs. While Benin is patriarchal (men and their male sons lead), women are important; men cannot succeed spiritually or politically without them. The interlacing pattern on the base of this sculpture can be seen in Benin Kingdom works in materials from wood to ivory to metal.
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Provenance & credit
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- Credit line
- Gift of Katherine C. White
- Provenance
- 1900s: Commissioned from the Igbesanmwan, Benin Kingdom | no earlier than 1961: (Robert L. Stolper gallery, New York City) | by at least 1962: Katherine C. White [1929-1980], Gates Mills, OH, given to the Cleveland Museum of Art | 1973–: The Cleveland Museum of Art, Cleveland, OH
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