Ichikawa Ebijūrō II as Horiguchi Manzaemon (right), Arashi Rikan II as Kizu Kansuke, Nakayama Bunshichi III as Hayashi Sanzemon (center), and Asao Gakujurō as the Ferryman Sanjūrō (left) from the Kabuki Play "Eight Views of the Kizu River by Boating Song"

Cleveland Museum of Art

Ichikawa Ebijūrō II as Horiguchi Manzaemon (right), Arashi Rikan II as Kizu Kansuke, Nakayama Bunshichi III as Hayashi Sanzemon (center), and Asao Gakujurō as the Ferryman Sanjūrō (left) from the Kabuki Play "Eight Views of the Kizu River by Boating Song"

Shunshosai Hokuchō
Date
1829
Medium
triptych of color woodblock prints
Culture
Japan, Edo period (1615–1868)
Department
Japanese Art
Institution
Cleveland Museum of Art

Three prints form a continuous scene from a Kabuki play written in 1778 by Namiki Gohei I (1747–1808) and produced at the Kado Theater in Osaka in the summer of 1829. It was the final performance for actor Ichikawa Ebijūrō II (1806–1829; right)—highly regarded for portraying villains—because he got sick and died several months later. This design belongs to a category of Japanese prints called “actor images” ( yakusha - e or 役者絵). They were collected by fans of popular Kabuki actors. Kabuki is a kind of entertainment that got its start in the early Edo period, evolving from dance performances with simple storylines to long plays with complex plots, elaborate sets, and full musical accompaniments. Performers wear showy costumes and heavy makeup and strike poses called mie at critical moments in the narrative. Dialogue is spoken in a stylized way that resembles singing.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page
See at Cleveland Museum of Art

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.