Garden for Solitary Enjoyment

Cleveland Museum of Art

Garden for Solitary Enjoyment

Qiu YingLinkedCulture matchlcp-2944f4c6ae0c

Date
1515–52
Medium
Handscroll; ink and light color on silk
Culture
China, Ming dynasty (1368–1644)
Department
Chinese Art
Institution
Cleveland Museum of Art
Object ID
149414

From the Cleveland Museum of Art record

Garden of Solitary Enjoyment refers to a site built in 1073 by the statesman Sima Guang (1019–1086) after he had retired to Luoyang, Henan province. Every spring, visitors would flock to his garden. Each of its seven structures references a historic figure. Sima wrote: I channel streams [like Du Mu], to water flowers [like Bai Juyi], or trim bamboo [like Wang Huizhi]. . . . I know of no joy between heaven and earth that could take its place . Qiu Ying’s painting, created after an 11th-century version of the same theme, must have appealed to garden owners of the Ming dynasty, since it became the template for numerous Suzhou workshop copies Sima Guang completed his monumental survey of Chinese history, Zizhi tongjian , in the garden depicted in this painting.

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Provenance & credit

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Credit line
John L. Severance Fund
Provenance
Xiang Yuanbian 項元汴 [1525–1590], Jiaxing, China, by descent to his grandson, Xiang Yukui | by 1644: Xiang Yukui 項禹揆 [c. late 1500s–1659] | by 1880–1904: Weng Tonghe 翁同龢 [1830–1904], Beijing, China, by descent to his family | ?–1978: (Wan-go H. C. Weng 翁萬戈 [1918–2020], Lyme, NH, sold to the Cleveland Museum of Art) | 1978–: The Cleveland Museum of Art, Cleveland, OH

Part of a LinkedCulture topic

  • Representative object from the topic Chinese landscape paintings
    Chinese landscape paintings

    These are predominantly Chinese paintings from the Ming, Qing, Yuan, and Song dynasties that depict natural landscape scenes including mountains, rivers, forests, and human settlements using traditional media such as ink

    180 objects from 5 institutions

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