
Cleveland Museum of Art
Souvenir of an "International Ball" (Portrait of Miss Kathleen Bruce)
Charles Hasslewood ShannonLinkedCulture matchlcp-30ee2b8ec581
- Date
- 1907
- Medium
- oil on canvas
- Culture
- England, early 20th Century
- Department
- Modern European Painting and Sculpture
- Institution
- Cleveland Museum of Art
- Object ID
- 149587
From the Cleveland Museum of Art record
The subject for this portrait is Miss Kathleen Bruce, later Lady Scott, the widow of Antarctic explorer Sir Robert F. Scott. However, as the picture's original title underlines (Souvenir of an "International Ball"), the identity of the sitter is less important than her treatment as a decorous object. Highlighting the woman in front of a shadowed screen decorated with foliage, Shannon positioned her to ensure her hoop skirt billowed out and filled the large chair. The result is a "bouquet" of fabrics and bows which bursts forth from the real bouquet of flowers nestled upon the woman's lap. Shannon's debt to the Venetian Renaissance painter Titian (about 1489-1576) is evident in the loose brushwork he used to represent realistically the soft material of the dress and to heighten the sense of ornamentation. Although aware of contemporary art movements, he instead preferred to follow the art of previous masters like Titian. He shared this love of older tradition with his living and working partner, Charles Ricketts (1866-1931), as well as with Alphonse Legros (1837-1911), a French-born artist who was an important teacher in Britain.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Mr. and Mrs. William H. Marlatt Fund
- Provenance
- after 1907–by 1979: Sir A. Kay Muir | 1979: (Shepherd Gallery, New York, NY, sold to the Cleveland Museum of Art) | 1979–: The Cleveland Museum of Art, Cleveland, OH
Part of a LinkedCulture topic
English Portrait MiniaturesA collection of portrait miniatures from 17th-18th century England, predominantly featuring watercolor on ivory or graphite and wash techniques, representing the tradition of intimate personal portraiture in miniature fo
221 objects from 4 institutions
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