Cleveland Museum of Art

Paintings after Ancient Masters: Chrysanthemum and Rock

Chen HongshouLinkedCulture matchlcp-ddbe17606f70

Date

1598–1652

Medium

album leaf, ink and color on silk

Culture

China, Ming dynasty (1368–1644)

Department

Chinese Art

Institution

Cleveland Museum of Art

Object ID

149615

The twenty paintings in this double album by Chen Hongshou include landscapes, figures, and flowers. It also has one leaf featuring a woman, an often-used subject not found in the other albums from the latter part of his career. His late works are wonderful summations of Chen's peculiar and quirky art—archaistic, hyper-refined–but without accompanying shallowness or sentimentality. His figures and landscapes in the late albums are miniaturized, not unlike the small Chinese gardens, or the carefully selected small table rocks or old roots used for contemplation to see the world in miniature. This loss of scale is quite deliberate and reflects the psychological situation of a depressed class like the Ming loyalist officials and scholars, deprived of their integrity and honor, and forced to lead a diminished and restricted existence. Chrysanthemums evoke the poet Tao Yuanming (365–427 CE) who turned down a government career during a fraught political era.

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