Paintings after Ancient Masters: Mr. Five Willows (Wuliu), Tao Yuanming

Cleveland Museum of Art

Paintings after Ancient Masters: Mr. Five Willows (Wuliu), Tao Yuanming

Chen HongshouLinkedCulture matchlcp-ddbe17606f70

Date
1598–1652
Medium
album leaf, ink and color on silk
Culture
China, Ming dynasty (1368–1644)
Department
Chinese Art
Institution
Cleveland Museum of Art
Object ID
149617

The twenty paintings in this double-album by Chen Hongshou include landscapes, figures, and flowers. It also has one leaf featuring a woman, an often-used subject not found in the other albums from the latter part of his career. His late works are wonderful summations of Chen's peculiar and quirky art--archaistic, hyper-refined--but without accompanying shallowness or sentimentality. His figures and landscapes in the late albums are miniaturized, not unlike the small Chinese gardens, or the carefully selected small table rocks or old roots used for contemplation to see the world in miniature. This loss of scale is quite deliberate and reflects the psychological situation of a depressed class like the Ming loyalist officials and scholars, deprived of their integrity and honor, and forced to lead a diminished and restricted existence. This painting is dominated by a huge willow tree, alluding to poet Tao Yuanming, who used the name "Master of the Five Willows."

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Provenance & credit

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Credit line
John L. Severance Fund
Provenance
Weng Tonghe 翁同龢 [1830–1904], by descent to Wango H. C. Weng | ?–1979: (Wango H. C. Weng 翁萬戈 [1918–2020], Lyme, NH, sold to the Cleveland Museum of Art) | 1979–: The Cleveland Museum of Art, Cleveland, OH

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