
Cleveland Museum of Art
The Idolatry of Solomon
Pietro da CortonaLinkedCulture matchlcp-3510a6c192f7
- Date
- 1622–23
- Medium
- Pen and brown ink, point of brush and black ink, brush and brown wash, and white and blue gouache, framing lines in brown ink
- Culture
- Italy, 17th century
- Department
- Drawings
- Institution
- Cleveland Museum of Art
- Object ID
- 153612
From the Cleveland Museum of Art record
Pietro da Cortona was one of the most successful and active fresco painters in Rome in the mid-1600s. This drawing is a preparatory sheet—highly worked-up with many different mediums—for one of the artist's six frescoes portraying the story of Solomon commissioned by the Roman nobleman Asdrubale Mattei (1556-1638) for the gallery of his Palazzo Mattei di Giove. Reflecting the artist's as well as his patron's interest in classical antiquity, Cortona combined a classical relief-like composition with specific references to Roman objects and architectural elements in the composition. The subject represents a foolish episode from Solomon's life, when he was lured into the worship of idols by the "foreign" women with whom he kept company. Pietro da Cortona completed this drawing and the six frescoes related to it for a prominent patron and palazzo in Rome when he was just 27 years old.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- John L. Severance Fund
- Provenance
- ca. 1900: Capitaine C. Prayer (1826-1900), Milan (Lugt 2044) | ca. 1900: de Bernasconi family, Buenas Aires | ?-1987: by descent to Marià Elvira Celia Méndez de Bernasconi (1927-2005), Buenos Aires (Lugt 5374) | 1987: Christie's London, 1 April 1987, no. 66. | 1987: with Kate Ganz, Ltd, London | 1987-: The Cleveland Museum of Art, Cleveland, OH
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