The Sand-Carrying Festival (Sunamochi Matsuri)

Cleveland Museum of Art

The Sand-Carrying Festival (Sunamochi Matsuri)

Sakai BasaiLinkedCulture matchlcp-a36a912eba96

Date
1856
Medium
hanging scroll; ink and color on silk
Culture
Japan, Edo period (1615–1868)
Department
Japanese Art
Institution
Cleveland Museum of Art
Object ID
156111

From the Cleveland Museum of Art record

Dredging waterways to preserve their function once required the cooperation of large numbers of people, seen at the top of this painting. Sand-carrying festivals were historically associated with religious rites or gathering alms to construct places of worship, and involved not only the labor of collecting sand from rivers but also parades and performances marking the event. Kyoto’s Kamo River has been dredged many times over the centuries, including in 1856, the year this image was made. Although the title at the upper right says Taihei Kakan, or “Peaceful, Beautiful View,” the painter’s delightful scene reminds his audience that at the best of times, peace may have little to do with quiet. Sakai Baisai was a student of literati painter Yamamoto Baiitsu (1783–1856). He was active until around 1879, when he relocated to Kobe to make his living as a design painter on porcelains destined for export.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.4gmGntao0j5TNv0X.aDDqjSeHbCE0V0bl6awMvCGl6HOqqRMF9yeFPaKpznLGWBc0j_jrofaha9QQq_3HcVg-02S6jl_5toeyIFkP93LTnfZwBHUjBXUamiflF_nfvxoX_elN7nGbZMZdJ7EErtQVqsztg6S6DscQD8JU9qEz3Dm7aMcDGkEjEcOiZmNEOFS5arwWmMoB39OYLxgmGcSdF1mjRGcB4iesuoKRUtqiMfDmhFQ5QrjJSnxyCC7K5bZGLz6ZypMUhu0VOD61n478HGVYkcpTATg3KGC8q7zj-u4BsJe2L808gH-dSoHHVJBW2gSee at Cleveland Museum of Art QR destination: https://linkedculture.org/q/q1.mGl2A_lqXajUBIMJ.wZRGscJ_m4jTViksIO1j2S4StRBBS4KIDButENLfoEhSLrYVI9rR80B-IEP4jJN7EYVdd_vTGtx04gO_xrlt0gIlN9PUa2tlLZWfMkWv0N412_jslMYgKu1_QQWE2XgD9EERKHVnRxhKscHlJ6OtJlSH0rqDDqh8R0khwbk5uIoZG1Qp0fOMg1n9eEku1iubnAqUS-0PMAsiPtCetXSuXaLtOw0DevbkFAj0y1wAC0VqrzAJsIwJWn4aWwP6sl3YX2rG09o1Jeaol2b80HYZDPBx-rQtIohtofNQMh4x
Open this page
See at Cleveland Museum of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Kelvin Smith Fund
Provenance
?–1991: (Andreas Leisinger, Tokyo, Japan, sold to the Cleveland Museum of Art) | 1991–: The Cleveland Museum of Art, Cleveland, OH

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.