Poros Assailed by the Macedonian Army (recto); Sketches of Animals (verso)

Cleveland Museum of Art

Poros Assailed by the Macedonian Army (recto); Sketches of Animals (verso)

Perino del VagaLinkedCulture matchlcp-cf527f49ca6c

Date
c. 1545/47
Medium
pen and brown ink (iron gall) and brush and brown wash; framing lines in gold paint
Culture
Italy, 16th century
Department
Drawings
Institution
Cleveland Museum of Art
Object ID
156595

From the Cleveland Museum of Art record

Perino del Vaga made this spirited pen and ink and wash drawing as a preliminary sketch for a fresco cycle depicting the military campaigns of Alexander the Great, intended for the apartments of Pope Paul III in the Castel Sant’Angelo in Rome. At the time, he was also working on commissions at the Vatican Palace where he studied and drew from the frescoes of Michelangelo in the Sistine Chapel. One pose in the drawing, that of the man in front who, sword poised over his head, prepares to strike a man below, was probably inspired by Michelangelo’s rendering of David and Goliath on the ceiling. Perino adapted the violent pose for a military rather than biblical subject, filling out the scene with trumpeting elephants and a pile of soldiers in combat. On the verso of the sheet, Perino drew a quick sketch of a standing camel and another, closer view of the animal's head and legs. This artist was in Rome in 1527 when the troops of Charles V sacked the city, and was imprisoned and forced to pay a heavy ransom for his, his wife's, and his daughter's safe release.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.-81MKwcs2bAzJA3-.roRjQJF236PVf8wCtMIa0b95bBC0jBm8XTg48lBgV8ZxaWW8KiStmudY0IV5ynh6FK5tWx9Fq3lhcMVypHmrjio6jBU2LXYuZmuAQpXv3Y3y-blbqyUUcPjW7OYYR9exsTIgjDrZuPqaILMhe1U4l8klDkkEUqPLpezFKFSFWn2M6d4VgHYKcgA7o6ctMzuxaSDmD0nWvN3bvm8qUzqjqLCVOgMkMNoRLuX-epbuIbKqjOrHTKDOJ6xprXPE-akeFLwVaYjxEOuoXSR5_JIratEDXyZOFdC2jMlFOpY9Iy23Vigm2wSee at Cleveland Museum of Art QR destination: https://linkedculture.org/q/q1.TZgdc9BZFEDnIMDs.b49jcKx8-XGRuTzcOD2Cw5J-d3IHaO7CI-HX9fHTFtLY0tBKr-a3o_BLkSj7d-giQnshBDnbUENUjenPXbFdRE3TVVtzvnS_iumXtuWhKs5t7tbFleEydqH6rQS0MfwNw2pOCcnEWOGuB31lfkoQChuwLa17NBL7NAkqPZHYHLZq-PIs6PfHw1QCWZrv_vl1cxC_eQTt6TRUZh6SJ90y-jjz85uts5QFi-YG4kiWy2a8rZQEIdPOPejgB0aVxqjfWQaA6UVKWR9rpnIMImFpjpXpgqzfQJkEEWaARK8
Open this page
See at Cleveland Museum of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Delia E. Holden and L. E. Holden Funds
Provenance
?-1992: Robert Frary, Winter Park, Florida | 1992-: The Cleveland Museum of Art, Cleveland, OH

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.