Wild Sow and Her Young Attacked by Dogs

Cleveland Museum of Art

Wild Sow and Her Young Attacked by Dogs

Jean-Baptiste OudryLinkedCulture matchlcp-d82eea391808

Date
1748
Medium
Pen and brown and gray ink, brown and gray wash, heightened with white gouache on light brown laid paper
Culture
France, 18th century
Department
Drawings
Institution
Cleveland Museum of Art
Object ID
159900

From the Cleveland Museum of Art record

Jean-Baptiste Oudry began his career as a portraitist but gradually became known for his paintings of animals and hunting scenes. These images attracted the attention of Louis XV, and Oudry became one of France's foremost decorative painters during the king's reign. Here, the artist highlighted a violent battle between a sow and a group of dogs. The drawing relates to one of Oudry's most successful Salon paintings, which was exhibited to great acclaim in 1748. The sketchy lines and lack of detail throughout the sheet suggest that it was likely a study made in preparation for the later canvas, which was purchased by Louis XV and installed in one of his homes. Though Oudry was a prolific draftsman, he purposely kept his drawings during his lifetime, hoping that they would be an asset for his heirs after his death.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.0i_Cds2ZLNUrHpyf.c_8KQggQRwqLBPCa5m6OAnmX4ipy8vmEBe7lEkX8T6mVv4U48PwlNqGZH2QyNMSd0ur_9sQpFvbIwVA2sm_CZbwbs-I9Fdd9fdQsJIpD-WtyXmK0MWt16dLodp1SuvhIbMjI0_5qqoJU2-kMIEw_MUIzvV_4vxtiZx8_KPA8rWFB1cOkEMDtmg-b1OMII0P4DI1asr94V2h0Siww9VWRSkYAnUkpWOhPc4sB7ib6BQsVuPX9xSp_mbCNxFHSr8wB-o0DveQaRh5htBbRGnxwhkcAEtMi1kUhInVLFmHq27I1aqdbIQSee at Cleveland Museum of Art QR destination: https://linkedculture.org/q/q1.hBGu4kQ3sSRt9AHg.LO3LztXQa5l-22m_-zTB-i9PxUWh8dKgNyu5HRH--odF5qxJgt0iPDYEnQ_3-V7_zRqCpWjvMUP4sz30E-tr7PkNlo1PpsgM52eC2C2KJxE33G_Ll3UwBZhZEtJCiaUEWD1mJ9-hTcMW3OpJZyplbnRrtgHCXdTWm4OpAQgImunfvGk5scvIe3ozCHRAQVKbQnUa-3yV3Ih7a_VS1QGdrXJErVG8om32rAH44mak1YJ0pRvXuiib-uADVWudCglOVTgybZjRU5fLueugthY8HuMLtm_kC73sin7x-xXzvA
Open this page
See at Cleveland Museum of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Andrew R. and Martha Holden Jennings Fund
Provenance
?-1776: Nijman (Neyman), Amsterdam | 1776: (Basan, Paris, July 8-11, 1776, no. 613, sold to Fouquet) | 1776-?: Fouquet | ?-?: Fäsch family, Basel | ?-?: Private Collection, Switzerland | ?-1997: (Marianne Joannides, London, sold to the Cleveland Museum of Art) | 1997-: The Cleveland Museum of Art, Cleveland, OH

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.