The Coral Necklace

Cleveland Museum of Art

The Coral Necklace

Frederick SandysLinkedCulture matchlcp-7f1ad9bcad94

Date
1871
Medium
black, brown, and red chalk
Culture
England, 19th century
Department
Drawings
Institution
Cleveland Museum of Art
Object ID
160105

From the Cleveland Museum of Art record

Closely associated with the Pre-Raphaelite Brotherhood, Frederick Sandys was a friend of Dante Gabriel Rossetti and played an active role in the bohemian artistic, literary, and theatrical circles of the day in London. This is a portrait of Mary Emma Jones, the artist’s favorite model, mistress, and mother of his nine children. An extraordinarily skilled draftsman, here he worked in tone rather than line, delicately drawing in chalk on a rough textured sheet and leaving the low points of the paper untouched to produce a stippled, hazy effect. Frederick Sandys and his mistress, Mary Emma Jones, the sitter for this portrait, adopted the names "Mr. and Mrs. Neville" to mask the unconventional nature of their relationship.

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Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Leonard C. Hanna Jr. Fund
Provenance
?-1927: J. Beecroft, Esq., Bradford, England | 1927: (his sale, Christie's, London, February 21, 1927, no. 68) | after 1927-1964: Dr. J. N. Nicoll | 1964: (his sale, Sotheby's, London, October 29, 1964, no. 225) | after 1964-before 1966: C. Powney, Esq. | 1966: (Sotheby's, London, December 21, 1966, no. 305) | after 1966-before 1992: Anthony C. W. Crane | 1992: (his sale, Sotheby's, London, November 12, 1992, no. 157) | after 1992-before 1997: Hartnoll | after 1992-1997: (Kate Ganz Ltd., New York, NY, sold to the Cleveland Museum of Art, Cleveland, OH) | 1997-: Cleveland Museum of Art, Cleveland, OH

Part of a LinkedCulture topic

  • Representative object from the topic English Portrait Miniatures
    English Portrait Miniatures

    A collection of portrait miniatures from 17th-18th century England, predominantly featuring watercolor on ivory or graphite and wash techniques, representing the tradition of intimate personal portraiture in miniature fo

    221 objects from 4 institutions

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