Wooded Landscape at L'Hermitage, Pontoise

Cleveland Museum of Art

Wooded Landscape at L'Hermitage, Pontoise

Camille PissarroLinkedCulture matchlcp-26e598d91b53

Date
1879
Medium
softground, aquatint, and drypoint
Culture
France, 19th century
Department
Prints
Institution
Cleveland Museum of Art
Object ID
163169

Camille Pissarro depicted this view of Pontoise, the Parisian suburb where he lived at the time, using a range of etching techniques. He evoked the effects of natural light amid the shadowy forest by combining grainy aquatint with softground—a process that creates loose, painterly lines and tone. Although primarily known as painters, many of the Impressionists took up printmaking, developing new techniques to translate the effects of natural light. Pissarro, especially, experimented with etching, working extensively with the technique alongside Edgar Degas around the time this print was made. Pissarro made this print for the journal Le Jour et la nuit that he planned with Edgar Degas, but was never realized.

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Provenance & credit

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Credit line
Gift of The Print Club of Cleveland
Provenance
Richard Cole, New York; To his widow, by descent, 1969; [Margo Pollins Schab, Inc., 1000 Park Avenue, New York, NY 10028]

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