
Cleveland Museum of Art
The Flowering of Joseph’s Rod (folio 11 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
- Date
- 1602–04
- Medium
- Gum tempera, ink, and gold on paper
- Culture
- Mughal India, Allahabad, made for Prince Salim (1569–1627)
- Department
- Indian and Southeast Asian Art
- Institution
- Cleveland Museum of Art
- Object ID
- 163647
From the Cleveland Museum of Art record
Joseph kneels outside the temple, among, according to the text, a group of unmarried men. The artist has depicted them dressed like contemporary Portuguese merchants wearing button-down belted shirts. The men had been ordered by God to bring their staffs to the temple; the one whose staff blossoms would become the husband of Mary. Joseph quivers with astonishment as his staff blooms; his hat falls to the ground as though it suddenly came off his head in surprise. Father Jerome’s source for this episode was the apocryphal Gospel of Pseudo-Matthew. The suitors in this scene are dressed as contemporary Portuguese men, but have followed the Muslim practice of removing their shoes while in the temple.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- John L. Severance Fund
- Provenance
- before 1930s–2005: An Indian family in Great Britain, whose grandfather brought the manuscript to England in the 1930s or 1940s | 2005: (Oliver Forge and Brendan Lynch Ltd., London, England, sold to the Cleveland Museum of Art) | 2005–: The Cleveland Museum of Art, Cleveland, OH
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.