The Adoration of the Magi, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Cleveland Museum of Art

The Adoration of the Magi, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Date
1602–4
Medium
Gum tempera, ink, and gold on paper
Culture
Northern India, Uttar Pradesh, Allahabad, Mughal period
Department
Indian and Southeast Asian Art
Institution
Cleveland Museum of Art

In this Nativity scene, familiar in Christian contexts, Mary and Joseph present the infant Jesus to the three Magi, who have placed their crowns on the ground in homage to the King of Kings. The three Magi are portrayed in Portuguese costumes to indicate to a Mughal audience that they are foreigners who believed in Christ. The artist cleverly and humorously indicates that the Magi have just arrived in Bethlehem by depicting their three camels in the bottom corner. One exhausted camel’s tongue hangs out the side of his mouth, while the other two animals lean eagerly toward a pair of water jugs. The books next to newborn Jesus indicate that his birth fulfills a prophecy.

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