Cleveland Museum of Art
The Adoration of the Magi, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
- Date
- 1602–4
- Medium
- Gum tempera, ink, and gold on paper
- Culture
- Northern India, Uttar Pradesh, Allahabad, Mughal period
- Department
- Indian and Southeast Asian Art
- Institution
- Cleveland Museum of Art
- Object ID
- 163669
From the Cleveland Museum of Art record
In this Nativity scene, familiar in Christian contexts, Mary and Joseph present the infant Jesus to the three Magi, who have placed their crowns on the ground in homage to the King of Kings. The three Magi are portrayed in Portuguese costumes to indicate to a Mughal audience that they are foreigners who believed in Christ. The artist cleverly and humorously indicates that the Magi have just arrived in Bethlehem by depicting their three camels in the bottom corner. One exhausted camel’s tongue hangs out the side of his mouth, while the other two animals lean eagerly toward a pair of water jugs. The books next to newborn Jesus indicate that his birth fulfills a prophecy.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- John L. Severance Fund
- Provenance
- before 1930s–2005: An Indian family in Great Britain, whose grandfather brought the manuscript to England in the 1930s or 1940s | 2005: (Oliver Forge and Brendan Lynch Ltd., London, England, sold to the Cleveland Museum of Art) | 2005–: The Cleveland Museum of Art, Cleveland, OH
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