
Cleveland Museum of Art
Six Marines: Interior of a Port
Eugène Isabey
- Date
- 1833
- Medium
- lithograph on chine collé
- Culture
- France, 19th century
- Department
- Prints
- Institution
- Cleveland Museum of Art
Lithography proliferated rapidly in France so that by 1838 there were some 300 lithographic printing establishments in Paris alone. It became the most popular printmaking technique because lithographs could be printed relatively cheaply and easily in large editions. The technique was suitable for artists working in a variety of styles; its versatility can be used for spontaneous, rapid execution. Here Isabey exploited the ability of lithography to achieve diverse tones, from rich black to any shade of gray. The pale paper was utilized for highlights. The museum has an outstanding collection of early lithography that John Bonebrake enriched with these and many other examples.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.
Interior of a Port, plate five from Six Marines
Art Institute of Chicago

The Square at Evening
Cleveland Museum of Art

Six Marines: Intérieur d'un port
Cleveland Museum of Art
Low Tide, plate six from Six Marines
Art Institute of Chicago

Six Marines: Refitting of a Boat at Low Tide
Cleveland Museum of Art
Delpech's Print Shop
Art Institute of Chicago

Six Marines
Cleveland Museum of Art
Portfolio Cover, for Six Marines
Art Institute of Chicago

Six Marines
Cleveland Museum of Art

Six Marines: Retour au port
Cleveland Museum of Art
Near Dieppe, plate one from Six Marines
Art Institute of Chicago

Saint-Tropez: The Port
Cleveland Museum of Art