
Cleveland Museum of Art
The Calumny of Apelles
Giorgio Ghisi
- Date
- 1560
- Medium
- engraving
- Culture
- Italy, 16th century
- Department
- Prints
- Institution
- Cleveland Museum of Art
This allegory of injustice, popular with Renaissance artists for its moral content, is based on a written description of a lost painting by the ancient Greek artist Apelles. An enthroned judge with large ears is flanked by Suspicion and blindfolded Ignorance. He extends a hand to Calumny (Slander), who, helped by Envy, drags a young man by the hair into court. This youth protests his innocence to Truth and Time, who descend on a cloud to reveal Calumny’s lies and vindicate the accused. Deceit stands behind Calumny with a large net, while Repentance casts an apologetic glance toward Truth from beside the window.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.

Calumny of Apelles
Minneapolis Institute of Art
The Calumny of Apelles
Art Institute of Chicago

Calumny Accusing Innocence Before the Court of an Ignorant Judge
Minneapolis Institute of Art
An Allegory of Statuary or Lament of Sculpture
Art Institute of Chicago

The Just Upright Man is laughed to scorn
Minneapolis Institute of Art

Justice and Divine Vengeance Pursuing Crime
Getty Museum

With Dreams upon my bed thou scarest me & affrightest me with Visions
Minneapolis Institute of Art

Alexander Ceding Campaspe to Apelles
Getty Museum
Alexander in the Studio of Apelles
Art Institute of Chicago
Justice, plate 37 from Genii and Virtues
Art Institute of Chicago

Saint Peter Repentant
Cleveland Museum of Art

Alexander the Great and Campaspe in the Studio of Apelles
Getty Museum