Cleveland Museum of Art

Phryne before Her Judges

Date

c. 1816–20

Medium

black chalk on wove paper discolored to beige

Culture

France, 19th century

Department

Drawings

Institution

Cleveland Museum of Art

Known in his own time for large-scale paintings on historical subjects, Jacques-Louis David drew avidly to plan his compositions. Late in life, however, his use of drawing changed dramatically, resulting in works such as this pair. After falling out of political favor during the French Revolution (1789–99), David moved to Brussels in exile. There, he crafted small, enigmatic drawings of close-up figures. Phryne features a mythological courtesan charged with blasphemy, while The Prisoner is vaguer, with an unidentifiable man grimacing alongside a chain and oil lamp. David embraced this uncertainty, writing at the time that “I just threw down . . . the mad ideas that came into my head.” The two male figures at center may be têtes d’expression , which convey emotion through pose and expression.

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