
Cleveland Museum of Art
King Muchukunda Enters the Realm of Mount Gandhamadana to Attain Salvation, from the “Fifth Basohli Bhagavata Purana”
Fattu
- Date
- c. 1760–70
- Medium
- Gum tempera, ink, and gold on paper
- Culture
- Northern India, Pahari kingdoms
- Department
- Indian and Southeast Asian Art
- Institution
- Cleveland Museum of Art
According to Hindu mythology, Muchukunda, the man dressed in saffron, fell asleep in a cave and slept for thousands of years. When he finally woke up, Krishna appeared and advised him to perform penance to cleanse the accumulated sins and attain liberation. He went to Mount Gandhamadana, on India’s east coast, to practice atonement. The painting was turned horizontally, suggested by the upside down inscription on the verso
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.

Krishna Lifts Mount Govardhan, from a Bhagavata Purana
Cleveland Museum of Art

Mahavira's Initiation Tonsure, Folio 37 (verso), from a Kalpa-sutra
Cleveland Museum of Art

Vasudeva carries the Infant Krishna across the Yamuna River
Minneapolis Institute of Art

Krishna and Balarama touching the feet of Vasudeva and Devaki, from the “Vertical” Bhagavata Purana
Cleveland Museum of Art

The Adoration of Krishna
Minneapolis Institute of Art
Buddha Shakyamuni Meditating in the Indrashala Cave [top] and Buddha Dipankara [bottom]
Art Institute of Chicago

Text, Folio 37 (recto), from a Kalpa-sutra
Cleveland Museum of Art

Parinirvana of Sakyamuni, the Historical Buddha
Minneapolis Institute of Art

The Story of Pradyumna’s Birth
Minneapolis Institute of Art

Pradyumna and Samvara fight with maces, from the "Large Basohli Bhagavata Purana"
Cleveland Museum of Art

Nanda Solves Vasudeva’s Dilemma, from a Bhagavata Purana
Cleveland Museum of Art

Queen Kaikeyi reminds King Dasharatha about the sacrifices of King Bali and King Shivi, folio 39 from the Ayodhya Kanda (Book of Ayodhya) of a Ramayana (Rama's Journey)
Cleveland Museum of Art