
Cleveland Museum of Art
Fairy of the Alps
Henri Fantin-Latour
- Date
- c. 1885
- Medium
- charcoal with white chalk and black chalk, with framing lines in black crayon and squaring marks in graphite, on laid paper discolored to tan
- Culture
- France
- Department
- Drawings
- Institution
- Cleveland Museum of Art
Henri Fantin-Latour’s drawings featured imaginative compositions, often inspired by the music of contemporary German composers. This sheet relates to the symphonic work Manfred by Robert Schumann (1848), a drama in which Manfred encounters apparitions while mourning his lost lover. Fantin used layers of dark charcoal to evoke the emotional tenor of his subject and to translate the experience of listening to Schumann’s music using a visual medium. This drawing relates to a print of the same year. Fantin used this sheet to work out his composition before completing a drawing on tracing paper, which was then used to transfer the image to a lithographic stone.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.
The Fairy of the Alps
Art Institute of Chicago

To Robert Schumann
Cleveland Museum of Art

The Fairy of the Alps
Cleveland Museum of Art

The Fairy of the Alps
Cleveland Museum of Art

Queen of the Night
Getty Museum
The Fairy of the Alps, first plate
Art Institute of Chicago
Réveil
Art Institute of Chicago
Robert Schumann's Last Composition
Art Institute of Chicago
Frontispiece: Truth
Art Institute of Chicago
Religions and Religion
Art Institute of Chicago
Manfred and Astarte, from Robert Schumann's Overture to "Manfred (1848-49)"
Art Institute of Chicago
Symphonie Fantastique: A Ball, from Hector Berlioz, sa vie et ses oeuvres
Art Institute of Chicago