
Cleveland Museum of Art
An African Woman, after Eva Gonzalès
Henri Charles Guérard
- Date
- c. 1888
- Medium
- zinc etching and aquatint
- Culture
- France, 19th century
- Department
- Prints
- Institution
- Cleveland Museum of Art
Henri Guérard was well-known during his lifetime for his close association with the Impressionist circle and for working as a master printer for artists such as Edouard Manet. This print reinterprets a painting by Eva Gonzalès, Manet’s only formal pupil and Guérard’s spouse until her untimely death in 1883. Featuring a bust portrait of an African woman wearing a scarf and headwrap, the original painting, now lost, was probably made as a tribute to Manet, who had depicted the same subject around 1862. Guérard often used recycled metal for his printing plates. At lower right, this print features the embossed mark of a zinc manufacturer, which was included on a hammered-out watering can that the artist used for printing.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.

Double-sided Portrait of Mademoiselle Eva Gonzalès
Minneapolis Institute of Art

Young Woman at an Easel
Cleveland Museum of Art

Vase of Peonies
Minneapolis Institute of Art
Profile of Eva Gonzales, Turned to the Left
Art Institute of Chicago

Profile of Eva Gonzalès turned to the left
Cleveland Museum of Art

The Racehorse (after Manet)
Minneapolis Institute of Art

Portret van Eva Gonzalès
Rijksmuseum

Lady with a Fan
Minneapolis Institute of Art

At the Café
Cleveland Museum of Art

Madame Greuze Asleep
Cleveland Museum of Art
Portrait of a Woman with a Black Fichu
Art Institute of Chicago
Portrait of Berthe Morisot with a Fan
Art Institute of Chicago