Cleveland Museum of Art

Shiva and His Followers Return to Mount Kailash (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740)

Date

1700s

Medium

gum tempera and lampblack on palm leaf

Culture

Eastern India, Odisha (formerly Orissa)

Department

Indian and Southeast Asian Art

Institution

Cleveland Museum of Art

At left is a multicolored mountain, labeled by an inscription in the local language of Oriya as a “cave on Kailash,” the Himalayan abode of the god Shiva and his wife Parvati. The cave with its bed and bolsters is empty, but the god is returning home on his bull, Nandi. The wilderness is indicated by the variety of trees, birds, and spotted deer. This illustrated leaf is from a book that would have been stacked and bound by a string through the hole in the center. The lines were etched with a stylus into the palm leaf. Black soot from butter lamps was rubbed over the page and wiped off, leaving only the grooves black. Afterward, artists added color using a brush. There is a three-legged yogi.

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