Ratnasambhava, Akshobhya, Vairochana with attendants, Amitabha, and Amoghasiddhi, Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Cleveland Museum of Art

Ratnasambhava, Akshobhya, Vairochana with attendants, Amitabha, and Amoghasiddhi, Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Date
Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)
Medium
Covers: Gum tempera, colors, and paper on wood; pages: gum tempera and ink on palm leaves
Culture
Eastern India, Bihar, Vikramashila Monastery. Paintings: Nepal, Kathmandu
Department
Indian and Southeast Asian Art
Institution
Cleveland Museum of Art

The inner side of the top cover is fully painted with images of the Five Cosmic Buddhas of Esoteric Buddhism. Each one has a different color, meaningful hand gesture, and is associated with a spatial direction. In the center is the white Vairochana holding his hands in the enlightenment mudra. On either side of the binding holes are the other four Cosmic Buddhas Akshobyha (blue, earth-touching mudra, east) and Amitabha (red, meditation mudra, west), and on the ends are Ratnasambhava (gold, gift-giving mudra, south) and Amoghasiddhi (green, fear-not mudra, north). The top side is covered with ritual materials indicating that this book was once an object of worship. The Five Tathagatas could be the source of visions that would help Buddhist practitioners on the path to enlightenment.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.

Four bodhisattvas and two attendants flanking Vajrasattva, bottom cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Four bodhisattvas and two attendants flanking Vajrasattva, bottom cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Cleveland Museum of Art

Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Cleveland Museum of Art

Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Cleveland Museum of Art

One of a Pair of Manuscript Covers from the Perfection of Wisdom Sutra (Ashtasahasrika Prajnaparamita Sutra)

One of a Pair of Manuscript Covers from the Perfection of Wisdom Sutra (Ashtasahasrika Prajnaparamita Sutra)

Art Institute of Chicago

Preaching Amitabha with Avalokiteshvara and Manjushri, folio 186 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Preaching Amitabha with Avalokiteshvara and Manjushri, folio 186 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Cleveland Museum of Art

Prajnaparamita flanked by two female figures, folio 1 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Prajnaparamita flanked by two female figures, folio 1 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Cleveland Museum of Art

Bottom cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Bottom cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Cleveland Museum of Art

Prajnaparamita book cover

Prajnaparamita book cover

Minneapolis Institute of Art

Prajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Prajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Cleveland Museum of Art

End of the Perfection of Wisdom in Eight Thousand Lines; Haribhadra’s final remarks; beginning of colophon, folio 187 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

End of the Perfection of Wisdom in Eight Thousand Lines; Haribhadra’s final remarks; beginning of colophon, folio 187 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Cleveland Museum of Art

Tantric Buddha Vairochana as Vajrasattva

Tantric Buddha Vairochana as Vajrasattva

Cleveland Museum of Art

Text, Folio 58 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Text, Folio 58 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Cleveland Museum of Art