
Cleveland Museum of Art
The Exit
Félix Vallotton
- Date
- 1894
- Medium
- India ink and graphite on paper
- Culture
- France
- Department
- Drawings
- Institution
- Cleveland Museum of Art
Swiss-born artist Félix Vallotton was known for boldly graphic images that depicted—often satirically—the lives of the Parisian bourgeoisie. He used this style, which featured flat planes of black and white, to produce both woodcuts and illustrations for popular journals. This drawing was reproduced in an 1894 issue of the popular arts and culture weekly Le Courrier Français. It depicts a sea of top-hat-clad men and veiled women departing a Parisian theater, probably the Odéon, with a sense of chaos that belies their formal attire. Like many of his time, Vallotton was interested in the psychology of crowds and the impact of urban life on the inhabitants of modern cities like Paris. This drawing was one of five that Vallotton created for reproduction in Le Courrier Français in 1894.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.

The Protest
Cleveland Museum of Art
Laziness
Art Institute of Chicago

Young Girl in Profile
Cleveland Museum of Art

Poker
Cleveland Museum of Art

The Bistro
Cleveland Museum of Art

Salute first...
Cleveland Museum of Art

The Jungfrau
Cleveland Museum of Art

Corn Fields
Cleveland Museum of Art
Cancellation sheet, fragments of ten woodblocks from Intimacies
Art Institute of Chicago
Five O'Clock, plate seven from Intimacies
Art Institute of Chicago
Getting Ready for a Visit, plate eight from Intimacies
Art Institute of Chicago
The Cogent Reason, plate four from Intimacies
Art Institute of Chicago