
Cleveland Museum of Art
Embroidered towel
- Date
- 1800s
- Medium
- plain weave: linen; embroidery, double-running stitch: silk, gilt-metal strips and thread
- Culture
- Turkey
- Department
- Textiles
- Institution
- Cleveland Museum of Art
Fine Turkish towels with beautiful floral decoration embroidered across each end are often reversible, and their quality revealed the owner’s wealth and status. A lady was required by Turkish etiquette to use a napkin “daintily over the tips of her fingers,” lest she lose her social standing. Towels were not only essential components of everyday life but also gifts, prizes, and decorations. Embroideries could also depict images of daily life. Colorful tents and buildings in floral landscapes, here enriched with shiny gilt-metal strips, adorn the four sides of a head scarf that was worn either folded or unfolded and fastened beneath the chin. Square embroideries also served to wrap gifts, letters, and objects; the 19th-century English traveler Charles White commented that “no present is made . . . unless folded in a handkerchief, embroidered cloth, or piece of gauze. The more rich the envelope, the higher the compliment to the receiver.”
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.
Towel
Art Institute of Chicago
Towel or Napkin
Art Institute of Chicago

Embroidered Towel
Cleveland Museum of Art
Fragment of Towel End
Art Institute of Chicago

Embroidered Towel
Cleveland Museum of Art

Embroidered Towel
Cleveland Museum of Art

Embroidered Towel
Cleveland Museum of Art
Towel
Art Institute of Chicago

Embroidered Towel
Cleveland Museum of Art

Embroidered Towel
Cleveland Museum of Art

Embroidered Towel (Peshkir)
Cleveland Museum of Art

Embroidered Towel (Peshkir)
Cleveland Museum of Art