The Rejection of Joachim and Anna's Offering

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The Rejection of Joachim and Anna's Offering

Creator

Rohan Master

French Illuminator · 1410–1440

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This anonymous illuminator is named for his involvement in a manuscript known as the Rohan Hours (Paris, Bibliothèque nationale de France, Ms. lat. 9471), in which the arms of the Rohan family appear numerous times, although it is not clear whether the arms are original to the manuscript. The Rohan Master's work shows the influence of the greatest Parisian artists of the day, such as the Boucicaut

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Date
about 1410–1430
Medium
Tempera colors, gold, and ink
Culture
French
Department
Manuscripts
Institution
Getty Museum
Object ID
01f2f32a-d715-4861-be1f-bbb608df296f

From the Getty Museum record

This magnificent leaf is from an otherwise lost manuscript that may have never been completed, as the leaf features unfinished miniatures on both sides. The front of the leaf likely depicts the refusal of the offering of Joachim and Anna at the Temple. According to Christian legend, when Joachim and Anna approached the Temple with an animal sacrifice on a feast day, they were turned away by the high priest, based on their childless, and therefore, unfavored state in the eyes of God. The story is represented as an elaborate scene of chaos and disruption, with figures, animals, and complex architecture weaving around the text and the sides of the page to its center. Soon after their refusal at the Temple, Joachim and Anna were blessed with a child, the Virgin Mary, and it is likely that this image faced a full-page miniature depicting the Annunciation to the Virgin. The large size of the leaf as well as the unusual imagery and the inclusion of additional scenes depicting the Creation on the reverse side indicate that it was intended for a particularly elaborate and lavish prayer book. Although it remains unknown who commissioned the piece, the artist has been identified as the Rohan Master or an artist closely associated with him; the vigorous style and many of the individual figural groupings and architectural forms are closely linked to other works he completed. The drawing technique, which ranges from suggestive to forceful, helps to draw out expression and emotion. In its unfinished state, the image reveals the working methods of the artist, emphasizing the equal role of drawing and painting in the creative process.

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