Model for a Monument to Alexandre Dumas, père (1802 - 1870)

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Model for a Monument to Alexandre Dumas, père (1802 - 1870)

Creator

Albert-Ernest Carrier-Belleuse

French Artist · 1824–1887

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Albert-Ernest Carrier-Belleuse began his training as a goldsmith's apprentice. In 1840 Pierre-Jean David d'Angers sponsored him for the École des Beaux-Arts. He stayed only briefly, moving to the Petite École to study decorative arts instead. Between 1850 and 1855, Carrier-Belleuse worked in England, designing ceramics and metalwork models for companies like Wedgwood. From 1857 he exhibited large-

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Date
about 1883
Medium
Terracotta
Culture
French
Department
Sculpture
Institution
Getty Museum
Object ID
0215edf1-d9df-4b5b-ac6e-236da794433e

From the Getty Museum record

Leaning casually on a pillar with disheveled hair signifying his creative genius, author Alexandre Dumas *père* turns, his focused expression adding dramatic intensity to the informality of his pose. In his left hand he secures sheets of his manuscript on the pillar, which is inscribed with the titles of his most famous works. Author of *The Three Musketeers* and the *Count of Monte Cristo,* Dumas was one of the most prolific and popular French authors in the 1800s. Sculptor Albert-Ernest Carrier-Belleuse fashioned this terracotta as a model for the large bronze monument to his close friend that was erected in Dumas's hometown of Villers-Cotteret in 1884. Using simple broad monumental forms for the body, he expressed Dumas's artistic power as an almost physical force. In contrast to the large planes of the coat and limbs, the sculptor crisply defined the facial features and hair with a sharp tool. Since Dumas had died over thirteen years earlier, Carrier-Belleuse derived the facial features from an earlier marble portrait bust, made by another artist and exhibited in 1876.

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